Childhood, Dreams, Letting Go, Love, Memory, Spirituality

These things

“Thoughts were things, to be collected, collated, analyzed, shelved, or resolved. Fragmentary ideas, apparently unrelated, were often found to be part of a special layer or stratum of thought and memory…”  –H.D., Writing on the Wall


I seal in plastic Ziploc bags photographs, letters, my child’s artwork. I pile up large Tupperware containers of high school journals, college scrapbooks, and sticker albums I’ve saved since 3rd grade.  There is even a small box inside a larger box in which I store cut-up cotton shirts; remnants of all the graphic tees I ever stuffed into the set of almond-colored formica drawers of my childhood bedroom. The idea was to make a quilt one day. But it’s been more than 20 years since I cut them and still they remain fragments of a former social life.

Sometimes, I let go. I purge, actually; for the movement is swift and forceful.

I gather up books and plastic toys from McDonald’s and washed out jelly jars I was saving for just-in-case. I rally the troops in their respective bedrooms and we dig out unaccounted for Lego, DVDs, and well-loved teddies they once birthed at Build-A-Bear.

It used to be that we would prepare a yard sale — display all our attachments large and small on the grass for others to descend upon and barter for. Now, I push it all down into a free tote bag I got once at the grocery store and drive to the recycling area.

My load becomes lighter then. I feel clean in the same way I do when I make the bed before sleeping in it.

It’s temporary, though, this weightlessness. I will feel dirty again. I will feel weighed down by the objects that make up my life.

* * *

Sometimes I want it all back.

Not all. But something specific.

Days or years pass, for instance, and suddenly I long for the floor-length sleeveless, blue and white flowered dress I traded in for credit at the secondhand shop on Broadway because I could never bend down when I wore it. When I realize it’s missing, I’m surprised. How could I have given up that dress? Didn’t I understand that one day it might fit me differently? There are photographs of me in that dress I can actually tolerate – black and white strip photos taken on the boardwalk in Ocean City. I was younger then. I wore contacts. But, I think it was the dress that made me pretty.

Sometimes, in a dream, I’ll be certain I still own a pair of shoes I have long since abandoned. Where are they, the black wedges I know will be perfect for the job interview I have tomorrow?  I frantically shuffle around my dusty, hardwood-lined closet floor, pushing to the side my brown suede clogs and my untied docksiders and my Naot sandals. My fingers will never find them because I listed them on a Freecycle board two years ago and subsequently dropped them off in front of a Tudor in South Orange, NJ.

One morning, I wake up and realize I’ve been dreaming about the brown leather backpack I carried with me through four years of college and some years after. I don’t even remember when I threw it away. This pains me. Documenting my losses is a coping mechanism.

Soft to the touch, but robust enough to manage three spiral-bound notebooks, a heavy “baby chem” textbook, and a glass bottle of Raspberry Snapple tucked away in a side unzippered pouch — that brown leather backpack was the security blanket of my young adulthood. Sometimes I tucked the yellow Sony Walkman into the other side pocket, a long track of rubber-lined wire snaking out and up into my ears as I hiked the city blocks between my apartment on F Street and the modern mirrored building on 22nd where I took beginner’s Hebrew on the 3rd floor and piano lessons in the basement.  There were crumbs of a chocolate chip cookie that smelled like nicotine once at the bottom of that brown leather backpack.

There was a flap, too, that closed off the main compartment, but also served as a wallet-like coin holder, with room enough for a wad of cash and easy access to my student ID. With one hand, I could click the flap shut into a magnetic metal clasp. Even though it appeared to be a complicated buckle, it wasn’t. It was very simple actually.

I must have gotten rid of the brown leather backpack in Tucson.

It must have been after my mother treated me to the high end, shiny Petunia Picklebottom diaper bag.  Like the brown leather backpack, it was a handy carryall with suitable compartments – an easy-access exterior pocket for diapers and wipes; one of the side pockets for bottles. It even came with an interior zippered pouch for personal items, a nursing pad, or eventually, a tampon.

When my son was two, we decided to leave Arizona to head back to where we came from in New Jersey.  That’s when we had our first yard sale. We sold the glass tables we registered for at Pottery Barn. We sold one of the lamps, too. We sold the swing set in the backyard.  I don’t remember what else.

It must have been then I parted with the brown leather backpack.

I guess.

* * *

Now, it’s a black canvas backpack I carry daily (a leftover promotional gift from a job I left 14 years ago). Inside are two pieces of uneaten fruit and half a cream cheese sandwich prepared on a gluten-free pita.  There is an unzippered side pocket from which a Laken thermo-insulated bottled filled with filtered water peeks out and another side pocket in which I carry plastic bags for “just in case.”  In two exterior zippered compartments, there is spare change for use in either Israel or in America, but not in both.  There are markers, pencils, pens, bubblegum already chewed.

It’s durable, my black canvas backpack.  And loved, too, in a colder more practical way. I carry it on two shoulders instead of one. I am often in awe of how long it’s lasted.

From time to time –in between classes at the university where I am studying for my Master’s degree or on a plane seated in the middle of two of my children — I consider how long and often I’ve weighed the black backpack down. How I’ve tested it. How it still serves me.

I wonder, too, how I will one day lose track of the black canvas backpack or if I will wear it until it breaks.

Childhood, Dreams, Love, Memory, Music

What is a classic?

What is a classic?

The Giving Tree in English. But not in Hebrew.

What is a classic?

The Wonder Years. Especially the one in which Paul becomes a bar mitzvah. Or any episode with The Byrds as background music.

What is a classic?

Mighty Love. Let My Love Open the Door. All You Need is Love. In My Room.

What is a classic?

Cornbread. Warmed.

What is a classic?

Square dancing in gym class. Sorry, more Wonder Years.

What is a classic?

I don’t know. Classics are supposed to be timeless and yet some classics have changed for me with time.  Like, The Giving Tree used to be IT for me and now I suppose The Missing Piece is. But that just happened 15 minutes ago. Can it be a classic already? Moby Dick is not a classic, and yet it is, just not for me. Not yet. But it might be one day and then I will look back at today and realize I was ignorant of the classics. The Wizard of Oz is a classic, but I’ve watched it too many times and now it is a classic, but stale.

Like The Shawshank Redemption.

Like TBS.

Like Apple Pie.

I suppose if I had to say, a classic is that which makes me cry when I am not sad.

What is a classic?

The tune to My Darling Clementine.

Mint.

Feet in the sand.

The Barbie Dreamhouse with the elevator.

Jim Croce.

Half-burnt marshmallow on a stick.

Josh and Jodie.

My dad’s green fiat.

Pepsi Free.

Yesterday.

That time my Bubbi cried at Denny’s because her eggs were runny.

That time my brother threw a rootbeer bottle at me.

That time the car was stuck in the mud in a rainstorm, but I only remember that one in a dream.

What is a classic?

Forgot my locker combo.

Forgot to study for the final.

Left my passport at home.

What is a classic?

“These poems do not live: it’s a sad diagnosis.”

What is a classic?

“In those years, people will say, we lost track
of the meaning of we, of you
we found ourselves reduced to I
and the whole thing became silly, ironic, terrible.”

What is a classic?

“It is startling
to realize that
some of our most cherished memories
may never have happened — or may
have happened to someone else.”

What is a classic?

What is         a classic?

——–

The above contains poetry by Sylvia Plath (“Stillborn”) and Adrienne Rich (“In Those Years”), and commentary on memory by Oliver Sacks

Uncategorized

Dreams, even those about monkey gods, are normal

1. Last night, I asked Avi if it was strange that I could not recall one exam I took in college from 1992 to 1996. I remember so much from my past, I said, but not one college exam?

He said, “Well, that was a long time ago.”

“True,” I replied, nodding my head even though I thought his response was uninspired. “But what I’ve learned about memory is that how long ago is not most important to our recall. What’s most important is how often we remember the memory. Our memories, it turns out, are mostly memories of memories. They are the stories we keep telling ourselves of our memories.”

My husband looked up at me. “That makes sense.”

2. It is February 1, 2015, two days before the final exam in Aggada and I have a dream that I am late. I look at my watch in the dream and the numbers displayed read 12:03, three minutes after I was meant to be sitting in the exam room, but instead I am drinking coffee on campus with a friend. I panic and gather my things. After a series of dream type mishaps – including not being able to find my keys or my car – I end up locating my car in a far off parking lot thanks to the assistance of a young attendant, but I wake up from the dream before I take the exam.

Nevertheless, the dream feels resolved, closed. I wake up relieved. Before I wake up, however, I hook up with the young parking attendant who helped me find my car.

3. It is February 3, 2015 the day of my Aggada exam. I arrive on campus two hours early and sit in the garden outside the assigned building until 15 minutes before the exam. I am determined not to be late. 15 minutes before the exam, I enter the building, walk down to the basement to the exam room, and attempt to check in.

I hand the middle aged female monitor my ID card. She reviews it and looks up to face me. She asks me in Hebrew, “Did you change your name?”

“No,” I respond slowly, still trying to translate in my head this phrase I wasn’t expecting.

“Your name is not on the list,” she tells me. “You must go to the Administration Building and get special permission to take the test.”

I panic, but only slightly. “Where is the Administration Building?”

“Oh, it’s over there.” She points behind her in a direction I imagine is very clear and precise in her mind, but in mine is not, since my mind is filled with parables from long ago about reincarnated rabbis, ancient wisdom, and miracles from Heaven.

Later, but not much, I will see that this moment itself is a reincarnation of an ancient wisdom. Later, but not much, I will understand again that no matter how hard I try to change the future, I can’t.

In the end, I am late for the exam.

I wander down and around winding paths, follow faded signs in Hebrew and eventually come upon the Administration Building, which is tucked away behind some bushes peppered with daylilies. Inside, I ask for Asher as I had been instructed.

Do you know what time Asher resolves the matter and sends me back to the classroom to take the exam?

12:03

I knew it would be 12:03 even though Asher had said with his thumb and pointer finger, “Dakah,” which means “just a minute.” It was 11:58 then, and I knew he’d be back in 4 minutes, not one. I knew because my dream had told me.

When he returns at 12:03, I thank Asher in Hebrew, but I do not hook up with him.

I only smile. After all, his name, in Hebrew, means “happy.”

4. “Pray for the future, hope for the best
One never knows, does one?” —
Charles Brown, One Never Knows (mixed tape, 1997)

5. I had a dream last night I had a lover. He was married. He was someone who lives here on the kibbutz. In real life, he is attractive, but I am not attracted to him. This is another kind of love. The kind where you acknowledge the beauty of thing, but don’t necessarily feel the desire to partake of it.

6. “There are such things as ghosts. People everywhere have always known that. And we believe in them every bit as much as Homer did. Only now, we call them by different names. Memory. The unconscious….”

— Donna Tartt, The Secret History

7. Yesterday, in my writing workshop, Suzanne asked me, “Are you trying to prove the unprovable?”

“Because, you know,” she said. “This magic you notice might truly exist, but it may never be provable.”

8. When I read CG Jung’s autobiography Dreams, Memories and Reflections, I cried a lot. I cried from that place we cry when we realize we are not the first to experience the profoundly unexplainable. That we are not, in fact, weird. Or that weird is, in fact, normal. At least, a little bit normal.

9. Last night I had a dream I was in my childhood home. It looked the way it looked then, not the way it looked 6 months ago when I parked my car in front of the driveway with two of my children in the backseat and asked the owner if I could enter. The kitchen was not gutted in my dream. The living room was not refashioned into some joke in my dream. In my dream, the kitchen was lined with the wallpaper of my youth and the sun shined in through the door to the deck at an angle I was familiar with.

In the dream, our cats are inside the house instead of out, and I ask my husband, “Don’t you think we should get them shots if we are going to let them inside?

He doesn’t answer.

At that moment, I notice a baboon outside in the back yard and get excited. I call for my brother or for my son  — some boy who is younger than I am and that I am meant to love — to come look. After all, it’s not often we have a baboon in our backyard. I call for my father, too, or for my husband — some man who I am meant to admire and respect in a way — to bring the smart phone so we can take a picture of it. But he doesn’t respond quickly enough. So I grab my phone and run around to the front of the house where the baboon has run off to.

I manage to capture a shot of the baboon, which I see now has the face of a man, but the body of a monkey and I realize he is neither human, nor animal, but perhaps an angry demi-god. For certain, he is angry, but I am not afraid. He is outside, after all, and I am in.

He is jumping high above the trees and coming back down to Earth again. Nevertheless, I capture a closeup of his face as he stares out but not at me and there behind him is a tree whose leaves have already changed to a deep red and complement the red shades of his angry face.

I get the picture. And I am relieved.