Childhood, Dreams, Love, Memory, Music

What is a classic?

What is a classic?

The Giving Tree in English. But not in Hebrew.

What is a classic?

The Wonder Years. Especially the one in which Paul becomes a bar mitzvah. Or any episode with The Byrds as background music.

What is a classic?

Mighty Love. Let My Love Open the Door. All You Need is Love. In My Room.

What is a classic?

Cornbread. Warmed.

What is a classic?

Square dancing in gym class. Sorry, more Wonder Years.

What is a classic?

I don’t know. Classics are supposed to be timeless and yet some classics have changed for me with time.  Like, The Giving Tree used to be IT for me and now I suppose The Missing Piece is. But that just happened 15 minutes ago. Can it be a classic already? Moby Dick is not a classic, and yet it is, just not for me. Not yet. But it might be one day and then I will look back at today and realize I was ignorant of the classics. The Wizard of Oz is a classic, but I’ve watched it too many times and now it is a classic, but stale.

Like The Shawshank Redemption.

Like TBS.

Like Apple Pie.

I suppose if I had to say, a classic is that which makes me cry when I am not sad.

What is a classic?

The tune to My Darling Clementine.

Mint.

Feet in the sand.

The Barbie Dreamhouse with the elevator.

Jim Croce.

Half-burnt marshmallow on a stick.

Josh and Jodie.

My dad’s green fiat.

Pepsi Free.

Yesterday.

That time my Bubbi cried at Denny’s because her eggs were runny.

That time my brother threw a rootbeer bottle at me.

That time the car was stuck in the mud in a rainstorm, but I only remember that one in a dream.

What is a classic?

Forgot my locker combo.

Forgot to study for the final.

Left my passport at home.

What is a classic?

“These poems do not live: it’s a sad diagnosis.”

What is a classic?

“In those years, people will say, we lost track
of the meaning of we, of you
we found ourselves reduced to I
and the whole thing became silly, ironic, terrible.”

What is a classic?

“It is startling
to realize that
some of our most cherished memories
may never have happened — or may
have happened to someone else.”

What is a classic?

What is         a classic?

——–

The above contains poetry by Sylvia Plath (“Stillborn”) and Adrienne Rich (“In Those Years”), and commentary on memory by Oliver Sacks

Philosophy, Poetry, Writing

What appeals to me about found poetry

One of the reasons why I love to experiment with “found poetry” is that it allows me to make an artful experience last longer.

I just finished reading Milan Kundera’s “The Unbearable Lightness of Being,” for instance, and was struck often throughout by meaningful gems I wish I could spend more time contemplating.

In the absence of a classroom full of fellow philosophers or a literature professor, I turn to found poetry, otherwise known as “erasure poetry” or “blackout poetry.”

There is no correct way of digging in, but this is how I’ve been doing it with books. (You can also find poetry in songs or in newspaper articles. Why not?)

Instructions for finding poetry:

1. Xerox copy the page of the book or the document that stopped you in your tracks.

kundera metaphors are dangerous

2. Read it over a few times. Perhaps, out loud.

3. Listen.

4. Circle with pencil the words calling out to you.

When you’re certain (or certain enough) you’ve dug out something new or relevant or useful from the beauty or wisdom already expressed by the author, smudge out the words around those in paint or black ink or, like Mary Ruefle, with white out.

5. There. You’ve found something. A poem, perhaps, or an idea or a pathway.

Something.

Like most creative writing, a first draft of a found poem might only be a writing prompt for something more significant.

At the very least, you got to spend more time with beauty or wisdom … and upcycled it into your own life.

 

 

Letting Go, Mindfulness, Modern Life, Philosophy

I know what I know if you know what I mean

I am a reformed know-it-all.

I used to roll around in knowledge like a warm Dunkin Donut munchkin in powdered sugar. I wanted to be covered in it and then I wanted you to lick me.

Because I knew something. And if I knew it, you should know it, too. Then all our lives would be better.

My knowing has always been a well-intentioned sort.

It didn’t matter what the knowing was: At some points in my life, the knowing was boys. At others, it was Judaism or organized religion. At another junction, it was true love. And at yet another, it was friendship.

I knew what I knew and knowing it made me right. Being right made me feel safe. Not just on-the-surface safe — not the kind of safe we feel when we double-lock our doors or put on seat belts. No, a kind of subconscious, impregnable bubble of well-being that convinced me I knew people and I knew the world and I knew what should be done to make things right or better or good.

Then, something happened. Someone convinced me that there were things I didn’t know. Not only that, someone convinced me there were things I could never know — like what it was like to live during the French Revolution or what it felt like to be in the 2004 tsunami — no matter how much studying I did; no matter how much learning; no matter, even, how much listening. Some things are just unknowable because they are unique experiences. Even if, God forbid, I one day faced a tsunami, it would never be the 2004 tsunami. No matter how many videos on YouTube I watch, I am still an observer.  No matter how many poignant blogs I read, I am still only a participant in my own experience. And so therefore, there is a distinction to be made between what I know and what I know.

Once I knew this — once I knew this — I looked at life very differently. My experience of life and people changed when I understood “I know what I know” and when I accepted “I know there are things I will never know.”

There are things I cannot possibly know no matter how loving, how compassionate, how empathetic, how caring, how interested, how hungry I am. And this matters because it impacts my point of view, it affects how I see the world, people, opportunities, challenges, and risks.

My life changed because I stepped out towards life then as a curious observer; the kind of curious observer we are all born as and remain until life teaches us over and over again to be afraid.

Afraid of being out of control.

Afraid of being in danger.

Afraid of looking stupid.

Afraid of being stupid.

Afraid of being unloved.

Afraid of being unloveable.

You know the list … it’s longer than this.

This isn’t to say I am always acting as the curious observer. Today, for instance, as a man walked out into the street directly in front of my moving car, I thought immediately, “idiot!” But the curious observer now sits in the passenger seat and says, “maybe he had a belly ache and was rushing to the bathroom.” What she doesn’t say, but I know is, “Remember when you did that once?”

The thing is: the frightened know-it-all is constantly whispering from the passenger seat. Remnants of her will float up from deep inside me as ego-scented vibrational waves. Usually this happens when I am on social media or in heated conversations with my husband or my mother. The frightened know-it-all is sensitive to emotions, especially rejection and accusation. She is reactive, especially when under duress. She is only, after all, trying to keep me safe.

But she no longer can hang out there ruling like a queen bee on the playground of my life, one that is indeed filled with mines, but probably less dangerous than I perceive. The curious observer is there, too, asking questions; waiting for answers before stepping out.

 

Family, Making Friends, Philosophy, Poetry

I wrote a letter to a friend

I wrote a letter to a friend today and inside that letter — which was not a letter but something like a letter sent by electronic mail — I composed my feelings into something like feelings. And it’s a pattern, my tendency to compose somethings like. It’s not a pattern but something like a pattern, something I do again and again, with or without noticing, with or without intention. Mine is not a compulsion, but something like a compulsion, for I am compelled to be something like me so that people like me. Not just people but something like people — specific persons who specifically like me but might not if I was anything else but something like me.

Something about this is unsettling, and settling.

For although there is something like disappointment every single time, something like failure; there is something like relief because something remains; this something is due, in fact, only to the space between the letters.

Climate Changes, Community, Culture, Letting Go, Love, Mindfulness

Totally awesome redefined

I’m a girl who grew up in the totally awesome eighties, so it’s taken time for me to integrate the word awesome into my system with an emphasis on awe. But as I am awakening more to the magic in my life and in the world around me, I’m finding it necessary to rethink, “awesome.”

I processed this realization as I watched a trailer of an upcoming film in which astronauts describe what many of them say was the life-changing experience of viewing Earth from space.  Shuttle/ISS Astronaut Nicole Stott (who looks more or less my generation) says, “Awe is one of those words that you have a better understanding of once you see [what the planet looks like.]  I felt like using the word awesome was totally appropriate.”

(OVERVIEW from Planetary Collective on Vimeo.)

Listening to the interviews with the astronauts, combined with commentary from philosophers, made me think that a trip to space would be a suitable prerequisite for all youth entering adulthood. What if, instead of going to college or the military, human beings first shot up to space, gazed out at our collectiveness on this planet, and wrote a poem or a song? What if they curated a photo exhibit or painted a picture or choreographed a dance or just simply wept with understanding and wrote an essay called, “What I did on my summer vacation in space?”

Astronaut Edgar Mitchell may have been the most impacted by his experience viewing our civilization from above. Back on Earth, he later formed a non-profit institute that researches meditation, consciousness, and human potential. Mitchell says in the film trailer:

“That’s a powerful experience, to see Earth rise over the surface [of the Moon].   But instead of being an intellectual experience, it was a personal feeling… accompanied by a sense of joy and ecstasy, which caused me to say ‘What is this?’ It was only after I came back that I did the research and found that the term in ancient Sanskrit was Samadhi.”

I highly recommend watching this powerful trailer and then letting me know what was awe-inspiring for you today. For me, it was a dream I had last night that came true a little today; it was a work opportunity that appeared at the perfect time; it was a song I hadn’t heard in 18 years but appropriately so since it only suited me today.

Some say there was a shift in consciousness that took place in 1968 once humans got a glimpse of the planet from space. And that this shift is ongoing today.

“This view of the Earth from space — the whole earth perspective — is the true symbol of this age and i believe what will happen is there is going to be a greater interest in communicating this idea because, after all, it’s key to our survival. We have to start acting as one species with one destiny. We are not going to survive if we don’t.”  — Frank White, author, The Overview Effect

 

 

Relationships, Religion, Writing

View from above

No matter how blurred or undefined my picture of God is, no matter how my connection to religion swells or retreats; the one God-related belief I hold fairly dear is omniscience. If God were a storyteller, let’s say, he’d be third person with both a bird’s eye and a worm’s eye view of all that ever was and all that ever is and all that ever will be.

Which means, I also believe, that God laughs a lot.

Laughs at our missteps, our confusion, our despair — in a loving, playful way, the way a parent might smile watching her toddler fall hard on his bottom over and over again in his attempts to learn to walk.

Or the way a writer foolishly grins as he shapes his characters because a writer is, in a way, in love with all the characters he creates — no matter how ugly or beautiful, how wise or how foolish.

I don’t necessarily believe that God is omnipotent, however. I don’t believe he interferes in the doings of man, though I do imagine that he might adjust the direction or speed of the wind from time to time so that man might meaningfully turn his head or shift his gaze. I believe that God watches us, and more than anything else concrete, I understand God as a representation of that great unattainable knowledge and understanding I’ll never have, but will never stop seeking.

I imagine, too, from his third person point of view, God watches us with great compassion.

I wish I could borrow some of this compassion from time to time when I tell myself my own story; as I do when I lie in bed at night and review my day; as I do when I tell “truths” about myself or make claims about how other people see me (as if I could really know).

Or when I dig through the first person evidence of my life: When I read my old journals (and cringe at my naive innocence or unabashed immaturity); or remember (out of the blue or obsessively) the things I’ve done I wish I hadn’t or wish I had handled differently.

Did you ever notice how much compassion we can summon up for others? For strangers especially? How our hearts swell when someone else is dwelling on what they once did wrong?

Yet, it’s insanely difficult — if not near impossible — to summon up that same compassion for ourselves. To allow ourselves to view our stories as God might or as the third person omniscient narrator would– minus regret, minus shame, minus fear — simply with close observation, the space for varied interpretations, and occasionally, with a playful compassionate laugh out loud.

Community, Love, Mindfulness, Philosophy, Relationships, Religion, Spirituality

Synchronistically delicious

I am often troubled when I hear people use the word “serendipity” when I think they mean “synchronicity.” But I never really investigated the difference between the two words.

In my unresearched opinion, I always imagined synchronicity as attached to “meaningful” or extraordinary. Whereas serendipity is more playful, like a cup of frozen hot chocolate.

serendipity

Lucky. Fortuitous. Unexpected. Right place at the right time sorta thing.  Whereas synchronicity … when it happens … almost feels as if its arrival was fated. Expected, even if not by the participants. Anticipated, in some way, even if unseen to all but the gods until the very moment the synchronicity occurs.

Synchronicity, to me, carries in its meaning a certain divinity, a certain magic.

So much so that I remember distinctly when and where I was when I first heard the word and its layperson’s explanation.  I was at the lake house of a friend in celebration of her engagement. While dipping my feet in the lake, I chatted with a friend of the bride-to-be whom I’d never met before. She shared with me the details of a paper she was working on (perhaps her Master’s thesis or her dissertation), all on the topic of this experience called “synchronicity.”

I admitted to her that I’d never heard the word before.

“Oh,” she smiled. “But you’ve certainly had this experience.” She went on to describe what I had always thought of (at least since reading The Celestine Prophecy in 9th grade) as “meaningful coincidence.”

However, “meaningful coincidence” always sounded lame. Such a deeply moving or spiritual encounter needed a better descriptor.

“Synchronicity,” a word steeped in the concept of time (my favorite philosophical topic of conversation both then and now), was perfect for me. I was so thankful for having met this woman at the lake. Our meeting was, in fact, meaningful. Synchronicitous (synchronistic?), we joked at the time.

Perhaps this is why I loved so much Ginz’s response to my “haiku challenge” yesterday.

Walking alone is
often the first step towards
synchronicity.

This, indeed, is what I was going for when I was trying to describe the outcome of a walk alone I took yesterday. Too me, synchronicity, isn’t just a word, but a timely, yet timeless explanation for magic, for meaning, for connection.

When “alone” unexpectedly transforms into “no longer alone.” And loneliness is replaced by oneness.

Work, Writing

Genius in a bottle

I hit my head this morning. Hard. On the corner of the stackable washer/dryer in the very tight space that is my bathroom/laundry room.

After the stars stopped spinning, I waited.

What was I waiting for?

A stroke of genius.

My flux capacitor.

The only thing that came was a golf ball size lump on my forehead.

Lucky enough, I’ve remained conscious since and can see straight enough to write this post.

But sadly, my knock on the head didn’t wake up any sleeping idea.

Except this one …

Not only are we always half expecting that one day our great idea will come to us, but

we are also always half expecting it will come to us quite by accident.

 

 

Philosophy, Writing

Book deal? I write just for fun.

Three people, in as many months, have told me their creative efforts are “just for fun.”

This was in the context of showing me their wares — a brilliantly crocheted flower vase or a cat carrying-case re-purposed from a plastic water jug — and me remarking astoundedly, “This is fantastic. Are you selling them?”

Each smiled and said matter-of-fact, “No. It’s just a hobby. It’s just for fun.”

Once, I had a creative hobby that was just for fun. Once.

I used to be a scrapbooker.

<Pause for effect>

Yes, for about two years, I scrapbooked. I even had a scrapbooking friend — Debbie — who took me to a midnight scrapbooking event at a local crafts store in Tucson.

It was pretty much what you imagine.

Then I had kids, and unlike many moms who go scrapbooking crazy after birthing photogenic children, I just went plain crazy. Said craziness left me no time for cutting decorative borders and captioning weekends spent at the Jersey Shore.

My one creative hobby since then, which has only increased over the years since my day work has become more marketing focused, is creative writing.

In the last two years, especially, I have become a pretty serious creative writer and even started this year submitting some of my pieces to literary publications. No published pieces as a result of those submissions… yet.

So when each of those above-mentioned creative types told me they weren’t selling their pieces — not at a crafts fair, not to fancy shmancy boutiques on the lower east side of some city — I was taken aback; impressed, actually.

And I wondered.

Would it be possible for me to write … just for fun?

Without any expectations?

Of course, I do this already.

There are pieces (many) I have written that are sitting in a file somewhere, on a floppy disk in WordPerfect 2.0, that will never see the light of day, let alone end up in a literary journal. There are drafts of posts I don’t have the heart to delete sitting in limbo in a folder on the backend of this blog. There are starts of stories I never felt compelled to finish.

Were those all “just for fun?”

Before I get too didactic, let me clarify that I’m talking about the process, here. The intention.

Can I really write just for fun? Without the hope that what I write will become more than just an exercise,; will become

THE ONE?

The one that gets noticed?

The one that hits the right chord with the right person?

The one that gets me the top literary agent?

The one that enters me into the roster of authors that appear in a Prentice Hall Language Arts textbook?

The one that ends up sandwiched between two pieces of cardboard wrapped in a gorgeous cover with my name on it?

If “just for fun” means the same as, “for the sake of my sanity,” then yes, I write just for fun.

Or if “just for fun” means “I self-laughed a lot when I read my own blog post back to myself” then yes, I write just for fun.

But, more than anything, I write so that I will be read.

The reading by others is what makes my writing fun. This I know.

I just wish, sometimes, it weren’t so.

Mindfulness, Relationships, Survivalism

We’re all gonna die!

What do you think causes the majority of our existential angst?

A. Knowing we’re going to die (and not wanting to)

B. Not knowing exactly when we will die

C. Not knowing exactly how we will die

D. All of the above?

I struggle with all of the above.

But today I was having a conversation with myself that went like this:

Let’s say we are somehow able to accept we will die.

Not just understand it intellectually, but actually accept it.

And let’s say, by some magical twist, we are able to learn exactly when and how we will die…

Would we really live our life any differently than we do today?

And, what would World Order look like then?

(I don’t really talk to myself in the third person, by the way.)

There is a phrase:

live_each_day_

But the essential problem with that advice is that gleefully dancing as if nobody’s watching is not really an option if the machine is to keep running.

Quite the contrary, living each day as if it’s not our last is what allows us to pack the school lunches and separate the laundry and spend an hour with the accountant without feeling as if our life is completely pathetic.

We count on tomorrow being better.

= = = =

Most of us live –because we must — as if we have an endless supply of days.

And, yet, we’re terrified each and every day because we know that we don’t.

That is quite a quandary.

No one wants to be a machine.

Yet no one feels comfortable abandoning everything and everyone so they may live their last day every day.

This is the majority of our existential angst:

Finding the absolute perfect balance between living your last day and living as if you have an endless supply.

Letting Go

How peeling eggs turned me into Ralph Macchio

I think the majority of the world falls into two camps.

People who don’t mind peeling eggs. And people who hate it with all their might.

Peeling eggs, for me, is torture.

It’s a slow torture, too.

It’s painful to my senses. The uneven, unexpected cracks that may or may not lace the eggs once they come out of the pot. The stretch of the skin as you pull off the hard, cracked outer shell.  The rubbery touch and feel of the skin beneath. All the small left over pieces that you can’t easily scrape off your fingertip.

I can hardly stand it.

What I like even less about peeling eggs is the amount of time it takes, and the fact that each egg must be peeled slowly and with care. This isn’t so bad if you want just one egg, but becomes more of a nuisance if you need to make egg salad …and much more of a pain if you are making egg salad for a party of 10 or 15 people.

That’s a lot of eggs to peel.

But what I like even LESS is when a piece of shell pulls off with it some of the meat of the egg white.

Grrrr… and you’re left with a very deformed, less than perfect, certainly not whole, egg.

As a borderline perfectionist, this truly is almost more than I can bear.

But I bear it.

Over the years, I have been given a few tips on how to peel eggs easier. (“Wait til they’ve cooled. Do it quick while they’re still hot. Crack a hole on each end and blow into it first.”)

No matter what the technique, it still is a process I wish I didn’t have to go through.

But I do it anyway.

Mindfulness comes in handy in these situations, I have found.

Unless you don’t mind chomping on shells, peeling eggs requires extraordinary presence and patience.  You need both hands to peel and you need a careful eye to search and find the leftover pieces of shell on the egg.

You need to be with the egg.

You can’t be typing a text to your husband or responding to an email from your boss.

You can’t be changing the baby’s diaper or sitting on the toilet.

You can’t speed through it — unless you don’t mind peeling half the egg off with the shell.

And you can’t do it in front of the TV or in the dark in bed.

And if you hate peeling eggs as much as I do — you tolerate all this in the hopes that the ends will justify the means. BUT, at the same time, you are required to completely give up expectations of the outcome.

You need to be okay with the mauled, ugly egg, for instance — or you’ll be boiling and peeling eggs all day long, over and over again.

I was peeling eggs semi-mindfully today — and by semi-mindfully, I mean my emotional state was somewhere between pulling out my hair and poking out my eyes — when my 6 year old son came over and asked if he could help.

I almost said, “Thank GOD!” and ran away.

Instead, I sat with him and patiently showed him how to peel an egg. I taught him the steps, instructed him on how to peel the shell completely, and coached him on letting go of the need for the egg to be perfect.

As I heard my voice out loud, guiding him on concepts I still myself need coaching on, I suddenly got the epiphany of  “peeling the eggs”

Do you hear Mr. Miyagi’s voice the way I do?

He’s saying:

“Peel the eggs eggs

Peel the eggs

Peel the eggs …

No, no look here.

Slowly, slowly.

Peel the eggs

Peel the eggs

Peel the eggs.

Very good, Jenny San.

Don’t forget to breathe…

Peel the eggs,

Peel the eggs.”

Letting Go, Love, Mindfulness

Giving it up to Cory Booker

It’s widely agreed among women that following Cory Booker on Twitter is more groin stimulating than the hottest 1980s era episode of All My Children.

But Cory is also a deep thinker, and a spiritual guy –at least his social media strategy team would have us believe.

It’s working. He’s totally got me wrapped around his finger.

Cory shared this on Facebook yesterday:

Courtesy: http://waywire.com/
Courtesy: http://waywire.com/

It was timely for me. (aka “Wow, that Cory Booker is so in my head!)

I’ve been thinking and writing about what I gave up to become who I am now.

Truth is, I think about it a lot. Almost all the time. Definitely, way too much.

Sometimes I wonder if I breathe in nostalgia instead of air.

What could I have been had I made a left instead of a right?

Stayed in Washington instead of moving to New York?

Continued in children’s book publishing instead of leaving to freelance?

Stayed single longer?

Stayed married without kids longer?

Stopped having kids at just one?

At every given moment, indeed, we give up who we are in order to become who we might be.

Right, Cory Booker?

This is automatic. It’s quantum physics (I think). After all, it’s impossible to be who you were and who you are at the very same time. At least, not without a migraine.

If we could do this, we’d be time travelling already. Or having coffee with multi-dimensional beings.

True: We’re often not ready to give up who we are, but just as often we do so in spite of ourselves. Every single day, every single action, may require this on a small level.

And big choices certainly do.

So why not, give it up willingly,  for ourselves?

Life is, indeed, a marathon. Through which we shed many layers of skin.

And each time, we birth ourselves anew.

It’s a much better way to approach life — to approach our Self — than constantly imagining “what might have been.”

The intentional act of giving up who we are propels us forward — from past, to present, to unimaginably awesome future.