Childhood, Memory, Writing

There’s no proof

For a new project I’m working on, I’ve been trying to dig up visual evidence of my memories of the Echelon Mall:

A vintage postcard of the Echelon Mall in front of Strawbridge & Clothier
A vintage postcard of the Echelon Mall in front of Strawbridge & Clothier

A place in which I spent hundreds if not thousands of hours trolling trying on silver hanging earrings, drinking bananaberry smoothies, and most of all, hunting for cute boys from neighboring towns.

My memories of the mall prior to adolescence are mostly of Strawbridge & Clothier, a Philadelphia-based department store that anchored the shopping mall when I was a child. My mind’s eye, when I think of those earlier days, is always at waist-level: watching and waiting by the Clinique counter for my mother to exchange lipsticks, watching and waiting next to the cash register while my mother returned an unopened pack of panty hose, watching and waiting inside a clothing rack with my brother until my mother finished browsing the winter coats.

Needless to say, as was the fate of many suburban malls, there is not much that remains of the Echelon Mall of my youth. From what I’ve heard, the Voorhees Town Center complex that exists on the property now is not a bad addition to the retail neighborhood, but it doesn’t serve as the community gathering place and youth social hub the mall was on Fridays and Saturdays when I was a kid and teen.

The Echelon Mall is gone.

It’s not only gone. It’s gone gone, and I’ll tell you why.

There are hardly any pictures.

I’ve searched the internet using a variety of search strings and there are only a handful of photographs to be found. One page of Google results identified the one above, another vintage postcard showing the same scene from a previous decade, a blurry shot of the “e” tower at the entrance on Laurel Road, and a sad-old-man version of the billboard that used to promote Halloween masks on sale at Spencer’s or the Easter Bunny’s impending arrival.

Why the dearth of photographs?

Well, it’s obvious when you think about it: No one had any need to take pictures inside the shopping mall. They were busy shopping. Or eating. Or looking at cute boys. It’s not that we weren’t taking selfies back then; we were. I have tons of photo strips of me and my friends, me and my siblings, me and my boyfriends. I have close-up, nostril gazing snapshots from camp, from the Jersey shore, from concerts. Narcissism wasn’t invented by Apple.

And yet, in almost a dozen saved photo albums and worn envelopes of doubles, there is no glimpse of the food court, nothing from Sam Goody’s, nothing from Woolworth’s or B. Dalton or Accessory Place, not even from outside General Cinema waiting by the street’s edge for my dad to pull up and take us home.

Maybe in a shoebox somewhere there is someone posing for a Polaroid with Santa in front of JC Penneys. And maybe in another there’s an out-of-focus 4 x 6 matte of a Girl Scouts crafts sale or a Gymnastics Academy performance.

I don’t have any of those pictures, though. I don’t have a single shot of the Echelon Mall.

I can’t tell you yet what it is I long for when I long for the Echelon Mall.  In its heyday, the place was a poor man’s Cherry Hill Mall which was a poor man’s King of Prussia. When I shake myself from my nostalgic slumber, I remember even how skanky it was when I was a teen, how sketchy. Guys with cigarettes outnumbered the skater dudes. And their girlfriends with sky high super-sprayed bangs were to be avoided at all costs. In fact, I don’t remember the bathrooms at the Echelon Mall. I think I was afraid of them and the older girls fixing their hair there or the rapists of the many Echelon Mall urban legends. Most likely, though, my bladder was just a lot stronger then than it is now.

I don’t know what it is I long for when I mourn the Echelon Mall. But I’m searching.

I think it has something to do with pictures. With my need for proof.

Dreams, Family, Letting Go, Love, Memory, Mindfulness, Poetry, Relationships

They said this outfit was 3D

I had the dream again last night in which it’s you and me and him and her at a dinner party and the lighting is for grownups, but for some reason there are children in the room. I made meringues for the children for dessert. They came out fluffy and perfect and I wanted them to stay that way – the meringues – except, inevitably they deflated. “No matter,” my husband said in the dream. “They’re still sweet.”

The dinner party is awkward even though the lighting is good. Like the last time I dreamed us at an awkward dinner party, the lighting is mostly by candle with a touch of track over a brick mantle and the scene is set for adults, which is to say there are things nearby that may be broken.

She is in black as she always is. As for me, I picked out something new to wear just before arriving. I tried it on for my husband in the store, invited him into the dressing room. “The tag said the outfit was 3D,” I told him, but only when I take my glasses off am I able to see the shapes moving in the mirror.

Family, Health, Letting Go

A short reflection on showering

keep telling myself to take a shower. “In 20 minutes, take a shower.” 20 minutes pass and I do not take a shower I do this thing where I look up people I admire on Twitter and see who they admire and then follow them  — half because I want to learn from them and half because I want them to pay attention to me. Not showering yet is evidence that the half that wants them to pay attention to me is diminishing because not taking a shower shows I want education more than I want to be pretty or smell good and so these days not showering is a good sign that the ego (or is it the superego) is deflating.

That

or the fact that my long hair no longer looks better after I shower so why bother. My hair which used to be the best of me after my breasts but now lies as flat as they do, shower or no shower, is no longer a win-win is betraying me is possibly falling out no not now but possibly soon. I think of my Nini that time I walked in on her adjusting her wig in the mirror at the dresser in her bedroom. This was before the cancer and I confirm it with my father who says “her forties, I guess.”

So I better

Books, Childhood, Dreams, Family, Home, Letting Go, Memory, Parenting, Relationships, Writing

Key to the Treasure

I keep dreaming of my childhood home. I won’t bore you with the details; with the recalling of the coat closet next to the front door; the fur that once lived there, but didn’t appear in my dream. In my dream, my mother pulled out a vintage polyester shirt draped over a wire hanger steam-pressed and plastic wrapped years ago, now eager to breathe. She handed it to me, “Do you want this?”

I wasn’t sure how to answer.

= =

My middle son is reading a musky-smelling original hardcover edition of Key to the Treasure by Peggy Parish. It’s not the edition I read when I was nine — mine was paperback. But mine was lost in the Flood.

= =

I know for certain someone somewhere is reading my copy of New York Then and Now on a toilet. It’s a book meant to be read on the toilet.

They call them coffee table books, but no one has time for coffee anymore. They ought to be called toilet books. This is where I go when I want to pore over pictures from then and now.

Why can’t I manage to hang on to my books? Especially the ones I sought out, hand-picked, then coveted?

I found some of my lost New York books at The Strand last December. I had an urge to buy them all in an effort to once again build a carefully curated collection. This would have been a redux since once before — on weekday afternoons at Bookman’s in Tucson — I spent my lunch hour scanning the children’s section for the titles lost in the Flood.

= =

I say it, but I don’t yet fully believe it: That there is something worthwhile in losing.

==

Except this.

I accept the hardcover original edition of Key to the Treasure, but I do so with a gentle stab of reluctance. I understand it’s the story I was wild about when I was nine — Jed and Bill and Liza and the feathered bonnet and the sorrow of missed connections passed down through the generations — not the texture of the pages or the color illustration on the cover. And yet, I want back what was once mine.

After all, if I had wanted to part with it I would have. I would have piled my copy of the book on top of the others that were going to Good Will. But I didn’t. I kept it on my shelf and then placed it in a cardboard box which I labelled “Jen’s books” before my father carried it down to the basement.

Those books, I believed, were meant to be found again one day.

= =

I say it, but I don’t yet fully believe it: That there is something worthwhile in losing.

= =

I can have almost anything I want: a Fisher Price Sesame Street set, a pair of gently-used docksiders, a Speak and Spell, an autographed pull-out poster of Mackenzie Astin. People are buying and selling my faded memories…and yours… all the time.

I can have almost anything I want.

==

And yet, there is something worthwhile in the losing. In the being lost.

Childhood, Culture, Love, Memory, Music, Relationships

What time travel sounds like

Oh how I wish I was in your bedroom right now and could place inside your tiny paper plate ears a pair of plastic headphones so you could close your eyes and hear what time travel sounds like at least once before you die.

Since I can’t or, let’s face it, you won’t let me no matter how nicely I ask or how sane I try to sound, I will settle for the next best thing which is to request that you click through to this link and turn the volume up as high as it will go, press play and close your eyes.

The next 27 seconds is what time travel sounds like; and the three and a half minutes after is best suited for singing out loud. No, not lip syncing, but, singing out loud. Or (this part is optional and only for the truly possessed) pretend you are slow dancing — with me, or with someone else not me, someone you won’t let put headphones into your ears even though you really want to because you think she’s a little off or a little too sorrowful or a little off.

Close your eyes. Then, cross your arms. Rest your hands on opposite shoulders. Sway back and forth. Back and forth. Until

Family, Memory, Music

The soundtrack of home

I am not a music-while-I-work kinda girl. While writing or editing, music typically gets in my way. Instead of focusing on the project, I’ll often sing along or find my mind wandering back to a time before.

This morning, however, as I sat in front of the screen, I realized I needed music to kickstart my week and opened YouTube whose imaginary panel of advisors recommended a few playlists to me based on my previous choices; but all were from albums I knew would distract me from the careful proofreading I was required to perform.

The last option in the row of recommended playlists was one I haven’t listened to … in almost forever: America’s Greatest Hits.

(courtesy Wikipedia)
(courtesy Wikipedia)

I recognized the album cover as one that used to be among my parents’ combined record collection that moved to the finished basement once they purchased a stereo with a cassette player for the living room. I remember only really discovering these records, though — Kansas, The Eagles, The Beatles, Simon and Garfunkel, Jim Croce — the summer I turned ten and went off to sleepaway camp. Music, from that summer on, became the soundtrack to my memories. Music became longing.

That summer, now that I think about it, was also when I first discovered my own taste for music. It’s not that I didn’t appreciate music before — some of my earliest memories are singing harmonies in the backseat of my father’s car with my brother. But what I remember about discovering the record collection is understanding that music is not just words and melody strung together; it’s a legacy. There was a reason why certain songs ended up sung around a campfire. There was a reason why I laid on my back on the Berber carpet in the basement while Photographs and Memories crackled over the speakers, filling me with a certain sense of sorrow.

The only title familiar to me on America’s Greatest Hits.before I pressed play was “A Horse With No Name.” But as I faced the screen to review the manuscript I was working on and as the album moved along, I found myself humming along knowingly from time to time — curious that I had stumbled upon an album that was both surprisingly and pleasantly familiar, but neutral enough to allow me to stay focused on the task at hand. (Ironic since many of the songs are, indeed, about longing.)

This music, unlike my mixed tapes which seem to always jolt me back, kept me rooted in the present, but still subtly soothed by the comforts of home. Not the home I am often drawn back to — the emotionally-charged home of Milan Kundera or Proust. Home without the overwhelming nostalgia. Without the compelling need to look back.

Books, Childhood, Love, Memory

I admit it. I am a bibliophile.

Is our melancholic love of books in the digital age just another reinterpretation of our nostalgia for home?

Today, I opened up a 1983 edition of  Madeline L’Engle’s A Swiftly Tilting Planet (the third book in the A Wrinkle In Time trilogy) and almost tilted over myself.

Okay — that is a tiny exaggeration.  But I wasn’t even able to move past the Table of Contents before I was overcome by a whoosh of emotion rushing through my chest and up into my throat.

“In this fateful hour…”

My pulse turned rapid.

“All Heaven with its power …”

The way I used to feel when a boy I liked was just about to kiss me.

“The sun with its brightness…”

Held my breath. Tried to steady myself.

“The snow with its whiteness…”

Leaned in. Closed my …

The fire with all the strength it hath…”

And took a picture of it on instagram to share with all of you.

 

 

SwiftlyTiltingPlanet

bib·lio·phile   noun \  ˈbi-blē-ə-ˌfī(-ə)l\
: a person who loves or collects books
: me

Childhood, Education, Family, Letting Go, Love, Memory, Relationships, Writing

First love

Among my cardboard boxes, there is another. It’s plastic. A clear Tupperware container with a blue cover marked “Jen’s papers.”

I laugh a little at this because the markings on the masking tape are in my mother’s handwriting and I would have expected it to read “Jennifer’s papers.”

But Jen is shorter than Jennifer, shorter than Jenny, shorter than any of the names I answered to during the time of the papers. And easier to write on a label.

I opened this container a few months ago when the shipment arrived, and was first struck sick by the smell, a strong combination of mildew and 30-year-old paste.

I quickly secured the top back on  (imagining my own ironic, horrible scifi death by spores) and put it back on the pile of boxes for later review.

A bit heartbroken, I intended to throw the whole thing away. Clearly the papers inside were ruined; forgotten leftovers stored too long. But before I got rid of all of it I wanted to document the contents.  After all, my mother took care to fill this container over the course of a decade and to rescue it — not once, but many times — from basement catastrophe (flood, hurricane, divorce).

Despite potential ruin, after all these years, the Tupperware reached its destination: in the hands of grown-up Me. It would be a shame not to unload its cargo. Also, and most important, as a mother who hoards, I know well the affection wrapped up in the saving of those papers.

I approached the container again this week, when I had a few hours to myself during the day and when the weather was mild enough to be able to go through them in fresher air outside.

I took out our good camera and prepared to archive my findings.

I knew that most of what I’d find would be handwriting exercises, A+ papers, and art projects. Nothing extraordinary, I imagined, would be discovered inside. What could I possibly have produced in elementary school that would elicit any deeper emotions than sentimentality? On the other hand, my boxes  constantly surprise me and this one was no different.

Among the findings:

  • My first voting ballot — indecision written all over it — from a Weekly Reader in 1980. Anderson or Reagan for the Win? I had checked off both, though I wonder if the Reagan was an afterthought as I remember distinctly wanting Anderson.
  • A report on Voyager 2 when it was still hovering near Saturn
  • A now-vintage souvenir postcard sent to me and my brother (addressed to Miss Jennifer and Master Jason) from Disneyland
  • And, a drawing I made when I was three or four in which my mother’s image was a presence greater than anyone else on page, larger than me, larger than life.

I also found love letters.

Between me and Mrs. Aducat.

I completely forgot loving Mrs. Aducat.

Mrs. Aducat, who wasn’t even my homeroom teacher, not even the woman I spent most of my day with in first grade, but simply my reading teacher. The woman who taught me language, sentence construction, how to express myself with carefully crafted words.

Based on the persistence with which I sought her love, my affection was strong.

ms aducat i love you

Over the course of months, I wrote many love notes to Mrs. Aducat on the back of my writing exercises.

And she wrote me back.

“I love you, too, sweetie,” she wrote in red cursive on the back of one.

And with a smiling heart on another.

i love you too jenny

“Yes!” she answered me with an exclamation point one time when I asked her if she loved me too.

I even made it simple for her once. YES or NO, I wrote under two boxes. An ultimatum, perhaps?  If so, she took the bait and checked off YES. “Lots and lots,” she wrote underneath it in her red pen.

I am struck by this.

I am struck by the love given me by a grownup; not a relative, just a woman paid to teach me to read.

And I am struck by the unrestrained expression and bold audacity with which I expressed my love for her and asked for it in return.

Oh, to love and be loved again — unabashedly, without reserve — as I did, and was, when I was seven.

= = =

This is one in a series of essays inspired by my cardboard boxes. If you like this post, and want to know how it began, read A Case for Hoarding. One post in the series, Note to Self,” was recently featured on Freshly PressedAdditional posts are tagged “the boxed set series“.

Writing

This poem comes in pencil only

This guy popped out of nowhere after 30 or so years just when I needed him most.

pencial sharpener antique 1980s

He looks like a dapper old cat, but what you can’t see … what he’s hiding behind his back … is his secret weapon.

And exactly what I need right now.

A pencil sharpener.

It’s hard to explain exactly why I found him where I did (inside a personalized pink plastic container holding personalized pink hair ribbons), but I’m not one to question serendipity (okay, I am.)

It just so happens that I’ve been desperate for a good pencil sharpener lately.

If I had my choice, I’d get a vintage one from a 1950s midwestern schoolhouse and hammer it into my kitchen wall — BANG BANG BANG — but those guys seem to be going for big bucks on ebay and anyway I need mine to be the travelin’ type.

And this dandy cat looks ripe for travelin’, don’t you think?

He needs to fit in my handbag, the one holding a heavy spiral bound notebook with a hard cover decorated in mandalas.

I’m writing more by hand these days, you see.  Not because I want to. (Frankly, I prefer the feel of a circa 2005 keyboard against my rapidly tap tap tapping fingers. I also covet the ability to quickly delete the last thought I just had. See? I just deleted a thought you will never know.)

But because  I’ve accidentally become a poet: a compulsive stringer together of words. And poets (potentially the most compulsive artists of all) need at their side a means to satisfy their urges.

A computer won’t do. One needs to get down words with haste.

A smartphone won’t either. My thumbs are too thick, too clumsy. “Bogus” accidentally becomes “booger.”

If only I had a secretary by my side. … the cat would surely do if only he was alive.

“Please, kind sir, take down this line,” I might say to the cat if only he could lift his  hand away from his orange man purse and take dictation. “No, strike that! Change compulsive to inveterate.”