Books, Writing

A long weekend filled with books and books-loving friends

It’s one of the best times of year in Israel for those of us in the writing-in-English biz. This week the 5th Jerusalem Writers Festival kicks off with author David Grossman in conversation with author Colum McCann. I’ll be heading down on Thursday to see Amanda Stern host Happy Ending, a NY-based literary series, for the first time in Israel.  I interviewed Amanda for the Times of Israel a few weeks ago and hearing her background and stories made me even more excited to see her in action, along with Anthony Marra (whose book I will finally buy, if it’s on sale, as it’s been recommended to me by a few people who know my book also “features” mixed tapes), Etgar Keret, Colum McCann, and Nell Zink.

Then on Sunday, I’ll get my chance to hear David Grossman as he kicks off the Tenth Memorial International Writing Conference at Bar Ilan University. So much over three days: writing workshops and readings by new authors/ fellow alums Anthony Michael Morena and Joanna Chen. The conference is free and open to the public, so other than skipping work or other duties, there’s no reason not to come.

Hope to see you at one of the events! If not, check out my instagram feed so you can feel like you were really there.

 

Childhood, Dreams, Letting Go, Relationships, Writing

What of the mountains?

I don’t know if I said it because of the dream or if I dreamt it because I was bound to say it later, but I said it and only after did I realize that it didn’t matter if the dream preceded the belief or the belief the dream.

*  *  *

What matters more than the man in the dream — a composite of men I have loved — is the woman who jumped so high as to be seen from the carved out window of the plane I was flying in.

She is not me. She was too tall to be me. And yet her hair …

What am I supposed to glean from her loose and long dirty blond hair, from the bohemian dress that floated up above her knees like a parachute each time she leapt from the valley as if the earth below was her trampoline? And what about the mountains, which were not the mountains of Denver, Colorado or the Golan Heights, mountains I have seen directly, both from above and below, but were, I am certain, the mountains of a European country, Spain or Portugal, a country in which there are less Jews than in the countries I am familiar with, countries I might even dare to call my homes?

What matters more than the man in the dream — who brought me to near tears with his collection of short stories recognizable as anecdotes from his childhood — is the woman who was sitting in the row ahead of me on the plane. She, too, saw the leaper, but she was not fazed. “I’ve seen her before,” the woman ahead of me noted. “We’re friends.”

She is not me, either. She was not Jewish enough. And she was also tall, even when seated.

Perhaps, what matters more is the man in the dream — perhaps, he is me.

*  *  *

Perhaps, I believed it and dreamed it both. Neither one before the other. Neither one bound to be first.

Memory, Mindfulness, Music, Parenting

Love Song for a Vampire

If I had nothing else to do in my life right now — no full-time job, no school, no household chores, no parenting, no community commitments — I might decide to drop everything and pursue a journalistic investigation of music and memory.

Truth is, I am doing this already on a very personal level. For those of you who follow the blog, you might have already sensed my budding fascination in some of my recent posts (Check out “Both Sides,” Don’t You Remember You Told Me You Loved Me,” and “Seeking the Language of Music“). These snippets appear in large part due to a long form piece I am in the early stages of writing that explores how music shapes a person, and how a person, often unknowingly, shapes her Self under the spell of music. It’s about how embedded music is in our memory, how memory sticks because of its attachment to music, and how, we can or do use music to maintain memories we deem integral to our sense of Self.

But what about the memories that don’t stick? The ones we let sink down into the darkened depths of forgetfulness? Either on purpose, because they are too painful? Or accidentally, because we think we no longer have use for them?

I am finding that all it takes is a journey … an intentional journey of remembering … for those memories to ascend on their own from the deep. We have a drawer, I’m realizing, we didn’t know we had access to. It’s our subconscious — And we can open it and take out what we need if and when we need it. Of course, there are times a memory surfaces before we realize its usefulness. And then it’s up to us to make the connection.

One such memory levitated to the surface of my consciousness yesterday, seemingly from nowhere (though I am starting to understand that nothing surfaces from nowhere.) It happened like this:

<A few haunting notes tap tap tap on my brain>

What’s that?

<Paying closer attention now>

Are those train horns?

<Even closer attention>

It’s certainly familiar…

Wait, is it this?

No… no, not quite that. Something similar, though.

Wait a minute.

Oh my God.

<Startled look on my face>

<Heart skips a beat>

<Can’t catch my breath>

Oh my…

It’s this.

<Sigh>

I haven’t thought about that in years.

And it all comes flooding back.

The memory — the very visceral experience, actually — that I hadn’t recalled in oh so many years was that of listening over and over again on my Walkman freshman year of college to a love song. In particular, “Love Song for a Vampire,” performed by Annie Lennox off the soundtrack of Bram Stoker’s Dracula (a film I have never even seen …surprisingly.)

The introduction of the song, indeed, sounds like train horns. And maybe that’s all it took yesterday, as I rode the train from Binyamina to Tel Aviv, for a memory to stir, to shoot up like a bubble waiting to be uncorked. All it took was the sound a horn makes.

I searched for the song on my smartphone, but couldn’t get to it due to a bad connection. So I obsessed a little all day long until I could return to the computer. In the meantime, because I had time to kill on the train, I pondered.

Why? I thought. What purpose does this memory serve now? Why do I need it? How does it apply?

I still don’t know the answer.  It’s on the tip of my tongue, just like the song was yesterday, and while I don’t see the purpose yet, I know this memory will be a valuable one in my writing. This piece (this book, this short story, whatever it becomes)  — it’s not just about music and memory. It’s not a clinical piece. It’s about me. About my own passage into middle age. About coming to peace with my past in the face of my present and in the prospect of my future. It’s about accepting myself for who I was and who I am now — acknowledging and embracing the differences.

It’s about forgiving — yourself, others, the cruel linear aspect of time.

And I think, in there, lies the key to “Love Song for a Vampire.”

Maybe.

In the meantime, I’m listening…

 

Writing

Time spent dreaming

Longing for the day
When my dreams count as real life
And I remember.

Only good ones though–
Sidewalk reunions, relief.
Scattered song and dance.

I could do without
underground caves teeming with
naked mannequins.

Philosophy, Writing

Book deal? I write just for fun.

Three people, in as many months, have told me their creative efforts are “just for fun.”

This was in the context of showing me their wares — a brilliantly crocheted flower vase or a cat carrying-case re-purposed from a plastic water jug — and me remarking astoundedly, “This is fantastic. Are you selling them?”

Each smiled and said matter-of-fact, “No. It’s just a hobby. It’s just for fun.”

Once, I had a creative hobby that was just for fun. Once.

I used to be a scrapbooker.

<Pause for effect>

Yes, for about two years, I scrapbooked. I even had a scrapbooking friend — Debbie — who took me to a midnight scrapbooking event at a local crafts store in Tucson.

It was pretty much what you imagine.

Then I had kids, and unlike many moms who go scrapbooking crazy after birthing photogenic children, I just went plain crazy. Said craziness left me no time for cutting decorative borders and captioning weekends spent at the Jersey Shore.

My one creative hobby since then, which has only increased over the years since my day work has become more marketing focused, is creative writing.

In the last two years, especially, I have become a pretty serious creative writer and even started this year submitting some of my pieces to literary publications. No published pieces as a result of those submissions… yet.

So when each of those above-mentioned creative types told me they weren’t selling their pieces — not at a crafts fair, not to fancy shmancy boutiques on the lower east side of some city — I was taken aback; impressed, actually.

And I wondered.

Would it be possible for me to write … just for fun?

Without any expectations?

Of course, I do this already.

There are pieces (many) I have written that are sitting in a file somewhere, on a floppy disk in WordPerfect 2.0, that will never see the light of day, let alone end up in a literary journal. There are drafts of posts I don’t have the heart to delete sitting in limbo in a folder on the backend of this blog. There are starts of stories I never felt compelled to finish.

Were those all “just for fun?”

Before I get too didactic, let me clarify that I’m talking about the process, here. The intention.

Can I really write just for fun? Without the hope that what I write will become more than just an exercise,; will become

THE ONE?

The one that gets noticed?

The one that hits the right chord with the right person?

The one that gets me the top literary agent?

The one that enters me into the roster of authors that appear in a Prentice Hall Language Arts textbook?

The one that ends up sandwiched between two pieces of cardboard wrapped in a gorgeous cover with my name on it?

If “just for fun” means the same as, “for the sake of my sanity,” then yes, I write just for fun.

Or if “just for fun” means “I self-laughed a lot when I read my own blog post back to myself” then yes, I write just for fun.

But, more than anything, I write so that I will be read.

The reading by others is what makes my writing fun. This I know.

I just wish, sometimes, it weren’t so.

Work, Writing

Is blogging the new MFA program?

Before I was in high tech, I was in publishing.

At Scholastic, I worked in the creative marketing department, not directly with authors, but with their work; trying to make their work appeal to the largest audience as possible.

My claim to fame is that I wrote responses to fan letters for R.L. Stine and K.A. Applegate. So if you came of age in the late 90s, we were probably pen pals.

I also was a part of the exciting marketing campaign surrounding the release in the U.S. of the first Harry Potter book.

Good times.

After I left Scholastic, I spent a few years in other publishing jobs: in the promotions department at Parade Magazine and as an assistant editor for a Jewish newspaper.

I soon became expert in making other people’s work better.

Of course, through this experience, my work became better, too.  In addition to assigning and editing stories to freelance writers at the Jewish newspaper, I would report on local happenings and sometimes interview C-level Jewish celebrities for features.

Every time my boss, the Editor, would hand me back my first draft, I would grimace at the red marks in the margins.

But the marks, when implemented, always made my stories better.

In time, I became a confident writer of short form non-fiction. Your work becomes better the more you write and the more heavily you are edited.

I imagine the process is similar for any form of writing; especially in fiction and poetry, two genres in which I am experimenting and want to improve.

This is why so many emerging writers and published novelists come out of MFA programs.

They’ve dedicated themselves to writing, yes — but they’ve also committed to being publicly criticized for two years in the hopes of improving. In the hopes of one day being so good they will be noticed. Noticed like a misused metaphor, like a dangling participle.

This element of the writing program — the communal critical eye — is missing from the fantastic writing community that is the blog-o-sphere.

I never — or hardly ever — publicly criticize a blogger’s work. If I add a comment to a blog, 99% of the time it’s a positive comment. If it’s a negative comment, it’s finely worded so as to not offend the author.

I’m not talking about political blogs, where trolls feel completely uninhibited to offer their frank opinions about how the author is a stupid, naive right-wing psychopath. I’m talking about the community of essayists that have sprung up through the popularity and ease of the blogging platform.

Mommy bloggers.

Aspiring novelists.

Flash fiction writers.

People who feel the need to chronicle the every movement of their cats.

Everyone can be a published writer now.

A published author even — thanks to Amazon.com and a host of self-publishing software.

And, yes, this is awesome.

Really awesome.

And … not so awesome.

I like to read good writing.

I like to pay for good writing.

I’m annoyed when I read bad writing, especially when I’ve paid for it.

I want the books I read to have been written by people who cared enough to become better writers. I want those books to have been through at least one, if not five, careful revisions by an editor.

I say this not just as a writer, but as a consumer of the written word.

Maybe I hold myself up to too high a standard. (That sounds obnoxious, I know. )

Maybe if I didn’t, I would already be a published author myself now. (I’m not counting The Fantastic Adventures of Me & My Friends or the two other activity books I wrote for Scholastic. That also sounds a bit obnoxious, doesn’t it?)

Maybe I’m worrying for nothing.

Maybe the world is a happier place because more people are writing and finding their own audiences.

But I think there is room for criticism in the blogging world. Perhaps we would do more to support each other by not just commenting when we think a post is good, but when we think a post is almost good — when something could be just a little bit better if only it was rewritten once or twice.

It irritates me when I write a post that I think is really good and a commenter writes something simple like,

“Lovely.”

This happens a lot. Which should be a good thing.

But I want to follow up on that “lovely.” I want to know, “Why?”

“Why do you think this is lovely?”

Did it strike a chord?

Was it my careful phrasing?

Was it how elegantly I described the herd of goats by the side of the road?

And how could it be better? How could I rewrite it into something you’d be happy you paid for? Satisfied you spent your time on?

This is what is missing from the blogosphere. And why, at least now, blogging in community will never be as serious as a writing program.

Most of our comments are just blatant attempts at trying to attract new followers.

It doesn’t have to be that way.

Are you a blogging writer who seeks comments like this? Who wants more than just a

“Great post!”

If so, let me know — perhaps we can build a more critical commenting community together.

Help each other… emerge…from red marks in the margin.

Letting Go, Love, Mindfulness, Writing

Easily attached

The best thing I never bought was this orange comb-brush.

my orange brush

How do I know?

Because I’ve had it now for more than 30 years.

I got it as a party favor at a girl’s sleepover party when I was six.

It’s traveled with me through 4 schools, 10 or so homes, and at least 100 handbags and backpacks.

It survived our Wheaton terrier — the one we had for less than a year — whose teeth marks are forever indented on its frame.

It survived at least two perms.

And it survived Israeli lice.

If this orange comb-brush could talk, it would say:

“You should have waited til after the bubble burst to buy a house.”

It’s a wise comb-brush.

About 15 years or so ago, I lost the orange comb-brush for a while.

I looked everywhere for it. Under the driver’s seat of my Nissan NX, inside eight or so Le Sport Sacs, behind the toilets and underneath the sinks of everyone I knew. I couldn’t find it.

Finally, I understood. It was really gone.

And so I bought the purple comb-brush. I carried it around with me for over a year until one day I found the orange comb-brush in a drawer inside my parent’s house.

I was elated. But also eerily aware that as happy as I was, I would have been perfectly okay had I never found the orange-comb brush.

I was okay.

Without the orange comb-brush.

Today, I still have both brushes. The orange returned to its rightful place in my handbag, while the purple spends most of its time lying next to my kids’ bathroom sink narrowly escaping Israeli lice.

I will never give up that orange comb-brush willingly. But I will be okay if it’s once again lost.

And while I thought for a long time, I would never feel as attached to the purple comb-brush as I did to the orange one, I notice my attachment shifting, my affinity for it growing. I see it in my memories and look for it when it’s missing.

It’s the purple comb-brush that I use to braid my daughter’s hair.

It’s the purple comb-brush that greets me in the evening as I turn off the lights to the bathroom and wipe down their crusty toothpaste from the sink.

And when three teeth from the purple comb-brush melted after someone accidentally left it on top of the toaster oven, I was really bummed.

But I kept the brush. Even though it’s deformed and not quite as useful, we still use it.

Osho writes that “attachment brings misery, unattachment brings blissfulness,” which sounds harsh except he softens his admonition with a dose of compassionate, measured reality:

“So use things, but don’t be used by them. Live life but don’t be lived by it. Possess things, but don’t be possessed by them. Have things — that’s not a problem. I am not for renunciation. Enjoy everything that life gives, but always remain free.”

And it’s this balance — between the bliss of having and the misery of not; between the misery of having and the bliss of not — that I seek.

I found it in that moment when I realized I didn’t miss the orange comb-brush so bad after all … but I was still happy to have her around again.

And the moment that I realized the purple comb-brush wasn’t just a meaningless replacement; that things change and people grow and new memories form …and new loves appear where there was once only plastic.

Food, Mindfulness, Writing

Writing prompts change the world

A few years ago, I took a brief, but fantastic memoir writing course with poet and writing professor, Chloe Yelena Miller. It was in this course I was first introduced to the concept of writing from a prompt.

Wow, how I loved this exercise.

Not all writing prompts work for all people —  and it could be the ones that Chloe chose resonated with me personally — but, regardless, I had a lot a fun with them.

I wrote one piece about my childhood stuffed dog/bear, Floppy.

I wrote one piece about my ex-boyfriend’s family beach house.

I wrote another about a long-kept secret.

What exactly do I love about writing prompts? I’m not sure.

But I think it has to do with looking at life differently. From a different angle. Upside down. Inside out.

To see people and things in a way they’ve never been observed before. To imagine them in a purpose or a place they’re unused to.

Today, my writing prompt was Mr. Mushroom Butt.

mushroom butt

While slicing vegetables for my breakfast stir fry, I couldn’t help but notice the cute little butt in one of my deformed mushrooms.

In an instant, I could imagine the yellow peppers as arms and legs. And hurried to arrange them and photograph the scene before it disappeared from my imagination or I got too hungry not to eat it.

The Sad and Sorry End to Mushroom Butt was born from my breakfast.

A story was born …  a character, a fractured fairytale. And who knows what else? A film? A line of toys? A breakfast cereal?

One morning, I birthed Mushroom Butt . And now he exists.

This is what’s amazing about writing prompts.

And about writing.

This ability to birth something or someone anew.

There are writing prompts everywhere masquerading as boring nothingness.

But once you name them as writing prompts, someone or something exists where there was previously nothing and no one.

And the list of possibilities for their adventures becomes endless…

 

Food allergies, Health

Ode to Nut-free Desserts (an allergic Israeli kid’s lament)

ode to nut free desserts

It’s not easy being a kid with nut allergies in Israel. Israelis love love love their nuts. It’s impossible (and I stand by that extreme) to find a baked good without them.

Family, Parenting

The woman she used to be

I’m a woman so I know

what she wants you to remember is

the woman she used to be

the prankster the flirt the gymnast

she wants you

when you look at her

to see the girl in the rain

in braids

invincible

Tho she is mother

she is woman, she is girl

And just before she heard the baby cry she was imagining how she would do her hair for prom

up or down

She is thin and underdeveloped underneath that oversized formula stained tshirt

She is agile and eager behind that tired, uninterested frown

She closes her eyes, smells the bouquet you handed her and remembers

the wedding

She looks up and sees the underside of her mother’s chin

her mother’s grin

kissing her, thanking her for the macrame owl that Troop 422 made for all their mothers

In the mirror she is mother

but in her mind’s eye she is woman

she is a girl

they blend together and

she wants you to remember

like she remembers

the her behind Mother

Work, Writing

My so-called writing life

The other day, I asked out loud on Facebook whether my friends thought that writers were born or made.

Most answered some version of “born, but….”

As in: Writers are born with the creative spark that’s a prerequisite to creative talent, but it’s a spark that requires not only nurturing, but also education, practice, and perfection in order to mature into talent, and then success.

Mostly, I’d agree.

I think about my own journey as a writer, and sometimes, admittedly, I even hiccup a little calling myself a writer at all.

When I think of myself as a writer, I still think of myself as the girl who wrote love poems in a small, tear-stained spiral bound notebook that I hid in the back of a drawer.

When I think of myself as a writer, I still think of the jittery young woman who spilled coffee on her pants on her way to her very first feature story interview for a newspaper article.

When I think of myself as a writer, I still think about blogging as playing for a minor league team, and published literary novels as the World Series.

I still think of myself as a novice, and sometimes as a would be somebody if only I had the time.

Then there are moments, hours, days even, when I catch a scent of my destiny and it smells like poetry and Bartlett’s Familiar Quotations and an antique oak writing desk facing a picture window.

The leaves casually drop from the trees as if there’s still time…

As if there’s only time.

…and words to discover.

Words slowly strung together like colored beads on a braided rope.