Memory, Parenting, Writing

Jet lag ramblings

Last night after I returned home from ten days away, I lay down next to my daughter to chit chat before she fell asleep.

“While you were away, mommy,” she said. “I prayed to God for something I know I’ll never get.”

“What?” I asked her, even though I was pretty sure I knew the answer.

She sighed, “A real baby.”

“You’re right honey,” I replied. “I’m not having any more babies, but maybe God will listen anyway, and hang on to your request ’til you’re a mommy.”

With that, she sighed again, and held Nadav, her American Girl baby-boy doll a little tighter than before.

 

* * *

This morning on Twitter a journalist posted there would be an air raid siren in the southern Israeli towns of Ashkelon and Ashdod.

“This is part of a tsunami drill,” he wrote. “Don’t panic.”

As if the poor people of Ashdod and Ashkelon haven’t been traumatized enough over the last few years of rocket warnings. Shouldn’t they devise a unique alert sound for a tsunami? And, anyway, what are the residents of Ashkelon and Ashdod advised to do in the case of a true tsunami?

Certainly taking cover will not save them from the rushing waters of a churning Mediterranean sea.

 

* * *

I never realized it before, but jet lag is a necessary and appropriate method for transitioning from one culture, one point of view, to another.

 

* * *

If I were to have another baby — which I will not  — I wouldn’t have named it Nadav if it was a boy, or Shaked if it was a girl, even though both are my favorite names for new babies in Israel.

It occurs to me this morning after I read the message about the tsunami drill, however, that tsunami would actually be a lovely name for a girl. The word rolls off the tongue like the wave it describes, but more gently. Like a ripple in time.

Tsu – Nah – Me.  

 

* * *

When I land in New Jersey, I like that I have traveled backwards.

When I land in Israel, I like that I have lost a whole day.

I like to be pummeled by time like that.

I like that I am able to anticipate the absolute engulfment caused by change in time, even if I can’t control it.

 

beach photo 2016
Shavei Tzion, Israel. Photo by Jen Maidenberg
Childhood, Memory, Spirituality

Witchful thinking

Even though I can’t situate them on a timeline, these are details I have assembled:

1. I read The Witch of Blackbird Pond after I read the Meg mystery books, but before The Lion, the Witch, and the Wardrobe.

2. Before any book, my parents rented for me Escape from Witch Mountain on betamax from the video rental store on Haddonfield-Berlin road.

3. I tried to check out a book once on witchcraft from the Camden County library, but there were none to borrow. No how-to, no expose, no empty slot on the shelf, no card inside a drawer marked Wa – Wi.

4. Once, I was a witch for Halloween. It was the year my parents threw me a Halloween party. This year may have been 1980. It was a popular year for the witch because Maddie Schwartz arrived wearing the same molded mask and plastic yellow trash-bag apron tied around her neck. For the record, when I picture the witch’s face mask, warts and all, it looks less like a woman and more like a man. This is, at least partly, due to a photograph of my father wearing my witch’s mask, and the girls at the party laughing.

5. In the same living room in which my mother set up a folding table to hold the cheese curls and the candy corn at the Halloween party, there was a love seat behind which I hid every year during the holiday broadcast of The Wizard of Oz. I crouched down behind the love seat as the Wicked Witch of the West screamed at me from atop an abandoned cabin in a forest.

6. I wanted, when I was a girl, to meet a real witch, but a nice one. Not so nice like Glenda, more like Samantha, nice, but naughty.

7. Once, I sat in the attic bedroom of my camp friend Hope and, for the first time, met another girl who also secretly wanted to be a witch, or more specifically, wanted to practice witchcraft.

8. The Craft came out a few years too late, but I still watched it.  A few years too late, Willow and Tara made implied love during the Buffy musical, but I still watched that, too.

9. When I still lived in New Jersey, I interviewed a witch for a local newspaper called Patch.com. She called herself a Wiccan and though I may have even asked her at the time, “Why Wiccan and not witch?” I could not explain to you now the difference. I met her at the store she owned in Montclair called Mystic Spirit. At the end of the interview, asthmatic from the incense, I left both longing to be and thankful I was not a Wiccan.

10. There is not one how-to book of spells in my collection, even though once I bought a how-to book of spells from Urban Outfitters and gave it to my friend Susan for her birthday. It might have been Karin I gave the book to. It was someone, a woman who was my friend when I lived in New York, a woman who was my friend with a birthday in June.

Is it witchcraft when you a fold a piece of paper, and then fold it again, and then write numbers on the folds and wishes beneath them?

Is it witchcraft when you settle in at night and chant for health and wealth and love and ease?

Is it witchcraft when you listen to prayers sung in harmony in the hopes you will be transported out and above your self so you may have a better view of your life? A better understanding of what it is to be you?

I watch a clip on YouTube. Tia is still beautiful and Tony is still creepy, and I still, in a way, want to be a witch. And I still in a way, am frightened by the possibility I already am one.

“Come to think of it,” says Tony to his sister Tia before he begins to play the harmonica that will make the marionettes dance. “You can do a lot of things I can’t. Like working locks, and the way you can talk to me without moving your mouth.

Maybe it’s because you’re a girl.”

Maybe.

Dreams, Family, Letting Go, Love, Memory, Mindfulness, Poetry, Relationships

They said this outfit was 3D

I had the dream again last night in which it’s you and me and him and her at a dinner party and the lighting is for grownups, but for some reason there are children in the room. I made meringues for the children for dessert. They came out fluffy and perfect and I wanted them to stay that way – the meringues – except, inevitably they deflated. “No matter,” my husband said in the dream. “They’re still sweet.”

The dinner party is awkward even though the lighting is good. Like the last time I dreamed us at an awkward dinner party, the lighting is mostly by candle with a touch of track over a brick mantle and the scene is set for adults, which is to say there are things nearby that may be broken.

She is in black as she always is. As for me, I picked out something new to wear just before arriving. I tried it on for my husband in the store, invited him into the dressing room. “The tag said the outfit was 3D,” I told him, but only when I take my glasses off am I able to see the shapes moving in the mirror.

Family, Health, Letting Go

A short reflection on showering

keep telling myself to take a shower. “In 20 minutes, take a shower.” 20 minutes pass and I do not take a shower I do this thing where I look up people I admire on Twitter and see who they admire and then follow them  — half because I want to learn from them and half because I want them to pay attention to me. Not showering yet is evidence that the half that wants them to pay attention to me is diminishing because not taking a shower shows I want education more than I want to be pretty or smell good and so these days not showering is a good sign that the ego (or is it the superego) is deflating.

That

or the fact that my long hair no longer looks better after I shower so why bother. My hair which used to be the best of me after my breasts but now lies as flat as they do, shower or no shower, is no longer a win-win is betraying me is possibly falling out no not now but possibly soon. I think of my Nini that time I walked in on her adjusting her wig in the mirror at the dresser in her bedroom. This was before the cancer and I confirm it with my father who says “her forties, I guess.”

So I better

Childhood, Dreams, Letting Go, Love, Memory, Spirituality

These things

“Thoughts were things, to be collected, collated, analyzed, shelved, or resolved. Fragmentary ideas, apparently unrelated, were often found to be part of a special layer or stratum of thought and memory…”  –H.D., Writing on the Wall


I seal in plastic Ziploc bags photographs, letters, my child’s artwork. I pile up large Tupperware containers of high school journals, college scrapbooks, and sticker albums I’ve saved since 3rd grade.  There is even a small box inside a larger box in which I store cut-up cotton shirts; remnants of all the graphic tees I ever stuffed into the set of almond-colored formica drawers of my childhood bedroom. The idea was to make a quilt one day. But it’s been more than 20 years since I cut them and still they remain fragments of a former social life.

Sometimes, I let go. I purge, actually; for the movement is swift and forceful.

I gather up books and plastic toys from McDonald’s and washed out jelly jars I was saving for just-in-case. I rally the troops in their respective bedrooms and we dig out unaccounted for Lego, DVDs, and well-loved teddies they once birthed at Build-A-Bear.

It used to be that we would prepare a yard sale — display all our attachments large and small on the grass for others to descend upon and barter for. Now, I push it all down into a free tote bag I got once at the grocery store and drive to the recycling area.

My load becomes lighter then. I feel clean in the same way I do when I make the bed before sleeping in it.

It’s temporary, though, this weightlessness. I will feel dirty again. I will feel weighed down by the objects that make up my life.

* * *

Sometimes I want it all back.

Not all. But something specific.

Days or years pass, for instance, and suddenly I long for the floor-length sleeveless, blue and white flowered dress I traded in for credit at the secondhand shop on Broadway because I could never bend down when I wore it. When I realize it’s missing, I’m surprised. How could I have given up that dress? Didn’t I understand that one day it might fit me differently? There are photographs of me in that dress I can actually tolerate – black and white strip photos taken on the boardwalk in Ocean City. I was younger then. I wore contacts. But, I think it was the dress that made me pretty.

Sometimes, in a dream, I’ll be certain I still own a pair of shoes I have long since abandoned. Where are they, the black wedges I know will be perfect for the job interview I have tomorrow?  I frantically shuffle around my dusty, hardwood-lined closet floor, pushing to the side my brown suede clogs and my untied docksiders and my Naot sandals. My fingers will never find them because I listed them on a Freecycle board two years ago and subsequently dropped them off in front of a Tudor in South Orange, NJ.

One morning, I wake up and realize I’ve been dreaming about the brown leather backpack I carried with me through four years of college and some years after. I don’t even remember when I threw it away. This pains me. Documenting my losses is a coping mechanism.

Soft to the touch, but robust enough to manage three spiral-bound notebooks, a heavy “baby chem” textbook, and a glass bottle of Raspberry Snapple tucked away in a side unzippered pouch — that brown leather backpack was the security blanket of my young adulthood. Sometimes I tucked the yellow Sony Walkman into the other side pocket, a long track of rubber-lined wire snaking out and up into my ears as I hiked the city blocks between my apartment on F Street and the modern mirrored building on 22nd where I took beginner’s Hebrew on the 3rd floor and piano lessons in the basement.  There were crumbs of a chocolate chip cookie that smelled like nicotine once at the bottom of that brown leather backpack.

There was a flap, too, that closed off the main compartment, but also served as a wallet-like coin holder, with room enough for a wad of cash and easy access to my student ID. With one hand, I could click the flap shut into a magnetic metal clasp. Even though it appeared to be a complicated buckle, it wasn’t. It was very simple actually.

I must have gotten rid of the brown leather backpack in Tucson.

It must have been after my mother treated me to the high end, shiny Petunia Picklebottom diaper bag.  Like the brown leather backpack, it was a handy carryall with suitable compartments – an easy-access exterior pocket for diapers and wipes; one of the side pockets for bottles. It even came with an interior zippered pouch for personal items, a nursing pad, or eventually, a tampon.

When my son was two, we decided to leave Arizona to head back to where we came from in New Jersey.  That’s when we had our first yard sale. We sold the glass tables we registered for at Pottery Barn. We sold one of the lamps, too. We sold the swing set in the backyard.  I don’t remember what else.

It must have been then I parted with the brown leather backpack.

I guess.

* * *

Now, it’s a black canvas backpack I carry daily (a leftover promotional gift from a job I left 14 years ago). Inside are two pieces of uneaten fruit and half a cream cheese sandwich prepared on a gluten-free pita.  There is an unzippered side pocket from which a Laken thermo-insulated bottled filled with filtered water peeks out and another side pocket in which I carry plastic bags for “just in case.”  In two exterior zippered compartments, there is spare change for use in either Israel or in America, but not in both.  There are markers, pencils, pens, bubblegum already chewed.

It’s durable, my black canvas backpack.  And loved, too, in a colder more practical way. I carry it on two shoulders instead of one. I am often in awe of how long it’s lasted.

From time to time –in between classes at the university where I am studying for my Master’s degree or on a plane seated in the middle of two of my children — I consider how long and often I’ve weighed the black backpack down. How I’ve tested it. How it still serves me.

I wonder, too, how I will one day lose track of the black canvas backpack or if I will wear it until it breaks.

Childhood, Dreams, Love, Memory, Music

What is a classic?

What is a classic?

The Giving Tree in English. But not in Hebrew.

What is a classic?

The Wonder Years. Especially the one in which Paul becomes a bar mitzvah. Or any episode with The Byrds as background music.

What is a classic?

Mighty Love. Let My Love Open the Door. All You Need is Love. In My Room.

What is a classic?

Cornbread. Warmed.

What is a classic?

Square dancing in gym class. Sorry, more Wonder Years.

What is a classic?

I don’t know. Classics are supposed to be timeless and yet some classics have changed for me with time.  Like, The Giving Tree used to be IT for me and now I suppose The Missing Piece is. But that just happened 15 minutes ago. Can it be a classic already? Moby Dick is not a classic, and yet it is, just not for me. Not yet. But it might be one day and then I will look back at today and realize I was ignorant of the classics. The Wizard of Oz is a classic, but I’ve watched it too many times and now it is a classic, but stale.

Like The Shawshank Redemption.

Like TBS.

Like Apple Pie.

I suppose if I had to say, a classic is that which makes me cry when I am not sad.

What is a classic?

The tune to My Darling Clementine.

Mint.

Feet in the sand.

The Barbie Dreamhouse with the elevator.

Jim Croce.

Half-burnt marshmallow on a stick.

Josh and Jodie.

My dad’s green fiat.

Pepsi Free.

Yesterday.

That time my Bubbi cried at Denny’s because her eggs were runny.

That time my brother threw a rootbeer bottle at me.

That time the car was stuck in the mud in a rainstorm, but I only remember that one in a dream.

What is a classic?

Forgot my locker combo.

Forgot to study for the final.

Left my passport at home.

What is a classic?

“These poems do not live: it’s a sad diagnosis.”

What is a classic?

“In those years, people will say, we lost track
of the meaning of we, of you
we found ourselves reduced to I
and the whole thing became silly, ironic, terrible.”

What is a classic?

“It is startling
to realize that
some of our most cherished memories
may never have happened — or may
have happened to someone else.”

What is a classic?

What is         a classic?

——–

The above contains poetry by Sylvia Plath (“Stillborn”) and Adrienne Rich (“In Those Years”), and commentary on memory by Oliver Sacks

Books, Childhood, Love, Memory

I admit it. I am a bibliophile.

Is our melancholic love of books in the digital age just another reinterpretation of our nostalgia for home?

Today, I opened up a 1983 edition of  Madeline L’Engle’s A Swiftly Tilting Planet (the third book in the A Wrinkle In Time trilogy) and almost tilted over myself.

Okay — that is a tiny exaggeration.  But I wasn’t even able to move past the Table of Contents before I was overcome by a whoosh of emotion rushing through my chest and up into my throat.

“In this fateful hour…”

My pulse turned rapid.

“All Heaven with its power …”

The way I used to feel when a boy I liked was just about to kiss me.

“The sun with its brightness…”

Held my breath. Tried to steady myself.

“The snow with its whiteness…”

Leaned in. Closed my …

The fire with all the strength it hath…”

And took a picture of it on instagram to share with all of you.

 

 

SwiftlyTiltingPlanet

bib·lio·phile   noun \  ˈbi-blē-ə-ˌfī(-ə)l\
: a person who loves or collects books
: me

Family, Memory, Uncategorized, Writing

Photographic memory

I love photography even though I’ve never been as good at the art as I might have liked; might have been. I’m grateful — seriously, grateful — to Instagram, for allowing me an outlet for the scenes I capture in my mind’s eye and feel compelled to share, but hardly ever render to my satisfaction on a traditional camera.

I took photography as an elective in high school — learned how to develop my own film (not very well), and presumably how to properly use a camera. Whatever I learned there didn’t stick, however, and now I find more pleasure in photography as a researcher than as a voyeur. Although I imagine there is an element of voyeurism to my research, as well.

I love the evidence photography provides. I love the secrets revealed. I love the accidental body of information that corroborates or undermines the collective or individual stories we tell ourselves.

As I dig up old photographs in my cardboard boxes, or in the basement storage room of my mother’s house, I’m getting an education on the people I love … and who loved me. But almost as often as questions are answered or light is shed; there are mysteries. There are, in those photographs, chapters to the stories of my life that were never told to me.

On a recent trip to New Jersey to visit my family, I discovered a photo album my mother acquired when my Bubbi died a couple of years ago. The album chronicled a European trip — the only one, I think — my grandmother took with her aunt when she was in her late forties or early fifties.

Aunt Edna (L) and Bubbi
Aunt Edna (L) and Bubbi

Though I can’t be sure, I imagine this trip must have been monumental for my grandmother, who grew up poor in the Midwest; who was a small school girl when she was forced to care for her ill mother and eventually watch her die; who was shifted from relative to relative as her father journeyed from town to town for business. Her Aunt Edna (her mother’s sister) never married, and was very generous to my grandmother over the years (it’s believed Aunt Edna made a small fortune by investing early in Xerox). The two were very fond of each other. Beyond that, and beyond the little I know about Aunt Edna (she was a school teacher and an author), I don’t know much more about the intricacies of their relationship. I do remember my Bubbi, in her younger days, often going out west to Indiana to visit Aunt Edna. I also remember once meeting Aunt Edna myself in the lobby of the hotel in Philadelphia for which my grandmother worked for many years: She was perched on a velvet-lined settee and looked like an Aunt Edna.  She called me Jennifer, as did most of my grandparents’ friends.

The pages of the photo album my Bubbi created are filled mostly by blurry, over-exposed shots of the landscape, of the sites, of the Coliseum, Venice, the streets of Paris, and presumably, the Alps. There are only three photographs of Bubbi in the album and four or five of Aunt Edna. There is one of somebody’s hand — opening up a compact, perhaps? Getting ready to put on lipstick? — as the other snapped a shot of windmills out the window of a tour bus.

bubbi in europe windmills

There are no captions. No notes on the backs of the matte photographs. No written word at all. There are a few blank postcards — one with a watercolor of Buckingham Palace; another from an Italian resort.

What do I learn about my Bubbi from this album? Other than the fact that she was more traveled than I thought, I am presented with more questions than answers.

Did she slide the photos in under the cellophane and never look at them again?

Did she take the album out, every year on her birthday, reminisce and long for a different sort of life?

Was she grateful for this trip? Satisfied? Or did it only give her a taste for more?

I knew my Bubbi pretty well as far as Bubbis and granddaughters go. I took an interest in her life while she was still with it enough to recall it. But she never told me about the trip to Europe she once took with Aunt Edna. Never recalled the windmills or the Hotel Napoleon or the view from the Spanish Steps.

Of course, there are so many stories we never share; never tell. Not even the ones we love. Not even the ones who ask.

In fact, it’s often the stories closest to our hearts we keep for ourselves.

=== === ===

 

If you liked this post, you might also like this one; also about Bubbi and about photographic evidence.

 

 

 

Books, Childhood, Memory, Mindfulness, Music, Parenting, Poetry, Relationships, Writing

My memory waited 14 years for this photo to catch up

annabel guitar may 2014

“We took our coffee into the living room. He stood at the stereo and asked if I had any requests. ‘Something Blue-ish,’ I said.

While he flipped through his records, he told me about the time he’d asked his daughter for requests; she was about three at the time and cranky after a nap, going down the stairs one at a time on her butt. He imitated her saying, ‘No music, Daddy.’

‘I told her we had to listen to something,’ he said. ‘And she languorously put her hair on top of her head and like a world-weary nightclub singer said, ‘Coltrane then.'”

The Girls’ Guide To Hunting and Fishing, Melissa Banks

 

Letting Go, Love, Memory, Relationships

Music is a Gift with Legs

I’m a big believer in the magic of books, music, and people falling into your lap when you least expect them to and when you are most ready to appreciate their messages.

(For this reason, I’m about to download The Happiness Project since three people in as many days have referenced it to me.)

But just because the wisdom fortuitously appears at just the right time doesn’t mean its vessel hasn’t fallen into your lap previously … maybe even shimmied back and forth a bit; stirred almost otherworldy sensations down there. Somehow, though, you overlooked the deeper message the first time around.

What’s even more incredible is when the words of comfort or inspiration have been there all along — in your CD cabinet, let’s say — just waiting to be understood.

There all the time
There all the time

This is the case with my collection of Grooves compilation CDs that were a hand-me-down gift from a boyfriend’s mom in the mid-90s.

I have seven of them still. Two I’ve loved since college, but the rest mostly gathered dust buried there at the bottom of my alt/folk rock section. This past week I’ve been listening to volume five (one of the dusty ones) on my way to work and school. It’s been a week of transition, and a week in which I need to feel understood, and loved.

It’s been, as I like to say (quietly to myself), a sing-with-the-windows-down kinda week.

Here’s the playlist of volume five:

Hold Me Up – Velvet Crush

Layer By Layer – Steve Wynn

You R Loved – Victoria Williams

Tell Everybody I Know – Keb Mo

Partisan – Katell Keineg

Holding Back The River – Luka Bloom

Who’s So Scared – Disappear Fear

Dreams In Motion – Felix Cavaliere

Good Times – Edie Brickell

Mockingbirds – Grant Lee Buffalo

Send Me On My Way – Rusted Root

Her Man Leaves Town – Rebecca Pidgeon

Two Lovers Stop – Freedy Johnston

You And Eye – David Byrne

Oye Isabel – Iguanas

And If Venice Is Sinking – Spirit Of The West

Century Plant – Victoria Williams

I’ve had this CD in my possession for two decades (the copyright says 1994 on the disk jacket), but I’m only now finding meaning in the messages.

Only now.

This is what good music does to a soul: Seeks it out and seeps in deep just when the spirit craves it most.

And the songs, just as they were advertised at the time, are fresh. juicy. like new. 

Gifts …even in the form of hand-me-down compilations CDs … have legs, I guess. And can walk a long, long distance in order to deliver a much-needed message.

Family, Letting Go, Love, Making Friends, Memory, Mindfulness, Writing

The almost, so-very-lost, art of the letter

I’ve been finding letters.

Long lost letters.

Long saved letters.

Long ago, written-by-hand letters.

As and Es and Is strung together to form laughter and love and pain.

Through my veins runs remorse

then retraction

as I read the letters aloud.

Loopy script

Straight uppercase caps

Bubbled Oooos and lowercase bees

All of them stamps of time and postmarks of personality

Who knew then that you were a poet, dear Friend?

Who knew that you could dance with your words, dear Lover?

Who knew, Mother, that you missed me with an ache you hid away so I would never know

until I, too, was a mother?

Aching…

Who knew then

what I know now?

Did you?

And I simply

missed it?

Did you know I would read your words aloud

and fall in love with a version of you I never knew?

Uncategorized

Where dreams come from sometimes

If time were to

stand still,

I would kiss your lips

leaving no trace of me behind.

You’d awaken

when time moved again

and know your life had changed forever

but the only evidence

of the crime

would be a hazy cornered memory

hidden in the land of dreams.

= = =

(This vignette was prompted by The Daily Prompt: Standstill)