The Immigrant Mother Goes to the Movies

There are days

(like today)

when emails from teachers

with names beginning with

Aleph or Ayin or Chet

or long-winded reminders

via Google group

from neighbors whose

fresh-baked challah

I truly do enjoy

or the main menu

of the University’s

Babylonian student information station

all make me want to

gouge out my eyes

with aluminum skewers

left over from

last weekend’s “al Ha’Esh

or eat Whoppers in front

of the movie Clue —

either of the three versions

released in December 1985.

Basically,

I need my information

spoonfed, please, from

the Confection Stand.

I want each request and update

to melt in my mouth like

candy did once

like Tim Curry

in 1985 before

Rocky Horror Picture Show

before heads went missing

before someone said to me,

No one moved to Israel

because it’s easy.

There are days

(not today) when

I am proud that science

has proven that my brain

works better now that it

needs to decipher whether

my daughter requested

dag or dog for dinner.

But today

I just want to suck it all

through a straw.

 

 

 

 

 

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When there is beauty inside bad news

<FOUND POETRY>

“Parking lots have sprouted
outside each kibbutz;
as reservists mass
for entry into
Gaza, their hatchbacks
with toddler seats
gather
the dust of days.”

— Jodi Rudoren in
The New York Times
Tunnels Lead Right to Heart of Israeli Fear
July 28, 2014

The Situation

I don’t write about it because

writing about it

would be like the abortive attempt I made

in my spiral bound notebook —

the one with the mandala —

to describe the scene

with the wedding gown,

in the ground floor shop

of my dream last night.

The one with Winona Ryder who

donned a 1920s inspired

off-white sleeveless gown

(really, they were cap sleeves).

I opened the curtain of

the dressing room to find her

half-naked due to the

deep and dramatic V

reaching down her abdomen

revealing the

underscoop of her breasts

and half of one nipple.

“It’s beautiful,” I told her.

“But you’ll need to have it altered.

I’m worried they won’t be able

to maintain the look

once it’s fitted to your frame.”

She didn’t listen.

She told the seamstress to

press on and then, of course,

the dream shifted to the scene

in the ice cream shop

where the chiropractor I used

to know was offering me pills —

rat poison packaged as RU486 flavored

jelly beans.

They were red, with the taste of cherry,

and they made me gag as I chewed them.

So you see why

I can’t write about it.

There is beauty

and there is darkness

and they blend together at times

in a way that’s describable

but only to the point of

surreal not to the point

of understanding.

Not to the point

at which you know

you have  navigated

directly into my thoughts.

 

Color of

“War is what happens when language fails.” — Margaret Atwood

* * * * *

This is the color of my voice these days … Almost Silent.

Imagine it there

in a box of 64 crayons.

In my mind’s eye, Almost Silent is wrapped in Ecru

Courtesy http://www.art-paints.com/Paints/Body/Ben-Nye/Color-Cake/Ecru/Ecru-xlg.jpg

But its waxy innards are sea green.

Almost Silent, when taken to paper,

magically scribbles in a shade of blue

known only to the indigenous people

of an island yet to be discovered.

But I recognize it instantly when

I see the child’s drawing of a

heart within a heart within a heart within a heart.

Once, I remember, I fingered gel

that shade on my way out of the womb.