Childhood, Education, Family, Letting Go, Love, Memory, Relationships, Writing

First love

Among my cardboard boxes, there is another. It’s plastic. A clear Tupperware container with a blue cover marked “Jen’s papers.”

I laugh a little at this because the markings on the masking tape are in my mother’s handwriting and I would have expected it to read “Jennifer’s papers.”

But Jen is shorter than Jennifer, shorter than Jenny, shorter than any of the names I answered to during the time of the papers. And easier to write on a label.

I opened this container a few months ago when the shipment arrived, and was first struck sick by the smell, a strong combination of mildew and 30-year-old paste.

I quickly secured the top back on  (imagining my own ironic, horrible scifi death by spores) and put it back on the pile of boxes for later review.

A bit heartbroken, I intended to throw the whole thing away. Clearly the papers inside were ruined; forgotten leftovers stored too long. But before I got rid of all of it I wanted to document the contents.  After all, my mother took care to fill this container over the course of a decade and to rescue it — not once, but many times — from basement catastrophe (flood, hurricane, divorce).

Despite potential ruin, after all these years, the Tupperware reached its destination: in the hands of grown-up Me. It would be a shame not to unload its cargo. Also, and most important, as a mother who hoards, I know well the affection wrapped up in the saving of those papers.

I approached the container again this week, when I had a few hours to myself during the day and when the weather was mild enough to be able to go through them in fresher air outside.

I took out our good camera and prepared to archive my findings.

I knew that most of what I’d find would be handwriting exercises, A+ papers, and art projects. Nothing extraordinary, I imagined, would be discovered inside. What could I possibly have produced in elementary school that would elicit any deeper emotions than sentimentality? On the other hand, my boxes  constantly surprise me and this one was no different.

Among the findings:

  • My first voting ballot — indecision written all over it — from a Weekly Reader in 1980. Anderson or Reagan for the Win? I had checked off both, though I wonder if the Reagan was an afterthought as I remember distinctly wanting Anderson.
  • A report on Voyager 2 when it was still hovering near Saturn
  • A now-vintage souvenir postcard sent to me and my brother (addressed to Miss Jennifer and Master Jason) from Disneyland
  • And, a drawing I made when I was three or four in which my mother’s image was a presence greater than anyone else on page, larger than me, larger than life.

I also found love letters.

Between me and Mrs. Aducat.

I completely forgot loving Mrs. Aducat.

Mrs. Aducat, who wasn’t even my homeroom teacher, not even the woman I spent most of my day with in first grade, but simply my reading teacher. The woman who taught me language, sentence construction, how to express myself with carefully crafted words.

Based on the persistence with which I sought her love, my affection was strong.

ms aducat i love you

Over the course of months, I wrote many love notes to Mrs. Aducat on the back of my writing exercises.

And she wrote me back.

“I love you, too, sweetie,” she wrote in red cursive on the back of one.

And with a smiling heart on another.

i love you too jenny

“Yes!” she answered me with an exclamation point one time when I asked her if she loved me too.

I even made it simple for her once. YES or NO, I wrote under two boxes. An ultimatum, perhaps?  If so, she took the bait and checked off YES. “Lots and lots,” she wrote underneath it in her red pen.

I am struck by this.

I am struck by the love given me by a grownup; not a relative, just a woman paid to teach me to read.

And I am struck by the unrestrained expression and bold audacity with which I expressed my love for her and asked for it in return.

Oh, to love and be loved again — unabashedly, without reserve — as I did, and was, when I was seven.

= = =

This is one in a series of essays inspired by my cardboard boxes. If you like this post, and want to know how it began, read A Case for Hoarding. One post in the series, Note to Self,” was recently featured on Freshly PressedAdditional posts are tagged “the boxed set series“.

Childhood, Memory

Name this photo

myhands

Childhood, Writing

I don’t know why I’ve been dreaming ’bout the Echelon Mall

Tacos for 79 cents,
mild sauce ask for extra and squeeze

Children’s Place, a tunnel with carpet inside
crawl through the storefront window

My first Walkman wasn’t Sony
downstairs at a stereo store in the corner next to Strawbridge’s across from Heroes World
before Heroes World moved upstairs
One time
downstairs

I saw a man there
the inside of his ear on the outside
But that was when it was
still cool because it wasn’t cool
Smelly erasers
Sanrio
I stole one and my mom made me give it back

say sorry to a lady who maybe once stole stuff too.

White tiles – big
Black tiles- small
Step on a crack, break my mother’s

back by the Clinique counter.
Pantyhose (stockings) downstairs, down an escalator
watch your shoelaces, “tie them!”

Sbarros a booth and the back of a perm seen from
the old Gap which was new once jeans only then V-neck sweaters

Seasonal in and outs up near JC Penney’s or Sears, the anchors I never explored ’cause someone said they were for poor people

Broken glass my dad ate inside a Chinese stir fry at a restaurant that once lived near the top of the escalator over the Food Court
but that was before
Bananaberry shakes
gyros
Mr. Bulky’s
Giggling at boys
Skater boys
Yummy blonde skater boys named Jon P with bangs hanging over one eye
never paid attention to me ’cause my bangs were too crunchy or my nose too big or the scrunchy socks before hair scrunchies or was too Jewish or too rich
even though I never thought I was rich
just had nice clothes and got to go on vacation
back when my parents were married still.

CVS
Silver City Pink
painted on like cum on my 13 year old lips before trying to get in to see Down & Out In Beverly Hills and then again to see House which wasn’t as scary couldn’t have been with the guy from Greatest American Hero

I have his autograph

had. Rated R
Rocky Horror Picture Show sometime later after the Sophmore Cotillion Josh made me sit on the end and I was scared of the transvestite.

Bighair
Bigbighair

Cookie cake – so many cookie cakes
Sam Goody’s 2 for 99 cents bin
Teeny tiny chicklets in a yellow envelope damp at the top with my saliva

Loitering
Once we were kicked out for loitering
Me and Dylan and maybe Sondra or Meghan, I don’t remember but what a dumb cop to think good girls knew how to loiter
We weren’t even hiding the Benson & Hedges cigarettes in our pockets that day.
Passing by girls who used to sleep over my house in my double bed with me next to me after softball but now hardly say Hi to me pretend they were never there.
Giggling
Those girls do
Laughing at a fat kid because Michael P. with his feathered black hair said to and because that’s what you do when you travel in packs

at the mall
McDonald’s a book store Hallmark that T-shirt place that awesome iron-on T-shirt place where you could choose cute critters or Papagalo’s Pizza logo or Adam Ant what was it called up there above Woolworth’s where I used to buy tye dye with Rachel so we could make t-shirts and sell them on my street where cars passed by because it was a busy street not a quiet court like hers
One time I got lost
— or was that Jason?
One time my mom hid from me, from us, to teach us a lesson
One time I saw Brian there and he winked at me and I felt pretty and popular and was certain that my life was about to change
One time I dared to go into Spencer’s
One time I got my ears pierced at Piercing Pagoda in front of everybody, why did they do that? in front of everybody?
One time I went back there and it wasn’t there anymore
Not even the piano store where they used to give lessons and play Liberace reminds me of Bubbi and Poppop always because I took organ lessons there for a week or two or maybe a month but not long enough to know how to play the piano or the organ or any instrument that would allow me to make music  ( I just want to make music)
Not even Structure or Express, nothing
not even one whiff of anything that once smelled like Drakkar Noir

Just some of the walls were left
And a Lens Crafters

and a Lens Crafters

Childhood, Family, Love, Memory, Writing

Blogger challenge: My ideal hours would be …

Sitting on the carpet combing tracks down your long brown hair with a blue-handled brush —

Sitting on the carpet across from your wrinkled hands shuffling cards for a game of Gin —

Sitting on the carpet with my knees tucked inside my nightgown, mouth cartoon-like forming the words,

“Tell ’em Large Marge sent ya.”

Little you giggling —

Sitting on the carpet by the sliding glass door where the morning sun warms me like a cat napping.

You there, reading the Wednesday paper on Sunday, butt up in the air. You there, coming in from the market with bunches of brown paper bags, no handles, filled with Pepsi Free and Herr’s potato chips.

You. You. You.

*

Lying in bed on the top bunk in a wood cabin in Maine, you pushing my mattress up with your feet.

Lying in bed in the dark before midnight, phone between my pillow and my ear, you strumming the opening chords to “I Will.”

Lying in bed next to you watching Clueless, high on the Percoset you crushed into my black tea with honey —

Lying in bed just after the kids fall asleep, but just before I’m too tired to talk about my day … and yours.

You there, looking over at me, wondering what to do next. You there, proposing a back rub.

You. You. You.

*

You, your back to me, dancing drunk to Blues Traveler.

You, your back to me, roller blading down F Street.

You, your back to me, stir frying chicken strips in Teriyaki sauce, Billie Holiday singing “What A Little Moonlight Can Do.”

You, your back to me, on the beach behind Dolphinarium, music too fast for slow dancing.

You there.

*

You on your belly, too old anymore for Playmobil, for running over Roman soldiers with a Greek chariot —

You in the winter sun, face painted like an 18th century whore, dancing with ten other five year olds to “Gangnam Style.”

You leaning down, button nose towards the purple poppy, sniffing it the same way your father did when I fell in love with him.

You, head of curls on my lap, breathing with ease once again. You there, scent like shampoo.

You there. You. You. You.

= = = =

This post is in response to a Blogger Challenge proposed by friend Kronfusion. For more posts on #idealhours, check out the hashtag on Twitter.

Childhood, Family, Letting Go, Memory, Mindfulness

Since I put your picture in a frame

There’s a photo in one of the albums in one of my cardboard boxes that nobody posing would want me to scan and post anywhere. It’s a #TBT that will never happen, and yet I almost wish I was bold enough to post it anyway because there’s a glorious photobomb inside an awkwardly posed reminder of a difficult time.

In the photo, I’m looking particularly young and particularly blonde —  caught in a rare moment of photogenicity. (Yes, spellcheck, that’s a word!)  I’m standing in front of a DoubleTree Suites in Washington, D.C. with my left arm around my 12 year old brother (his cheeky adolescent face accentuated by a blonde bowl cut) and my right arm around my then-boyfriend.

What you can’t see in the picture, however, not unless you know, is that I’m also in the middle of the end of my parents’ marriage.

That weekend — the weekend my other brother graduated from college — lives in my memories like a rotten piece of fruit.  Because even though my parents wouldn’t actually split up for another six months or so, it was during that weekend I knew their marriage was ending.

In the years since, I’ve told both my parents as such. And both were surprised. I’m not sure if they were surprised because they didn’t yet know their marriage was ending or because they were surprised I could tell.

I was surprised, too. Not at the certainty of it, but by the sorrow it caused me.

I never really thought I’d be terribly sad if my parents’ marriage ended. And yet, I was. Deeply. When my boyfriend and I returned to our apartment in NYC after that weekend, I remember crying and crying and crying. Sad not just for my parents, but for love, in general.

I understood then that love, while well-intentioned at the start, was ultimately doomed.

In the picture, in the three of our faces, you can tell something is wrong. An uneducated acquaintance might browse through that album and think we were just annoyed at having to pose.   But knowing what I know, I can see a certain heartache in our eyes.

***

The gift of cardboard boxes is that you can hide away pain until it no longer hurts as bad. Until you can bear to be with it. And look at it from a different perspective.

Discovering that photo from 15 years ago while digging through my cardboard boxes, I automatically zoomed in on the sadness. It’s where I’m programmed to look when I think of that time. It’s how I frame my picture of May 1999.

But the distance allows me to zoom out.

And there in the corner of the picture, under the awning at the DoubleTree Suites, is a photobomb of my Bubbi.

There she is with her hair done, in her special occasion outfit — a blue knit two-piece, she’d probably call it — beaming.

Her smile is real and touching. It’s the most real thing in the entire photograph.

She’s watching us and she is consumed by joy, for though happiness was no easy feat for my Bubbi, she adored her grandchildren. Through us, I dare say, she rediscovered love.

Just beyond our gloom, my Bubbi radiates happiness. Smiling, for she must have seen the larger picture.

Or decided to enjoy the moment in spite of it.

***

 

This is one in a series of essays inspired by my cardboard boxes. If you like this post, and want to know how it began, read A Case for Hoarding. One post in the series, Note to Self,” was recently featured on Freshly PressedAdditional posts are tagged “the boxed set series“.

The title of this post was inspired by the Tom Waits song, Picture in a Frame. It’s perfect background music for when you decide to dig through your cardboard boxes.

Childhood, Dreams, Family, Letting Go, Love, Memory, Mindfulness, Philosophy

A case for hoarding

I’m a hoarder.

I hoard paper, photos, t-shirts, cozy socks, cookies, memories, books.

Especially books. And memories.

I’m not so compulsive to be recruited for a reality TV show, but I’m bad enough that closets are always full and there’s never enough storage space.

Not in my house, not in my brain.

Despite this need to hang on, each time I have moved homes (about 6 or 7 times in adulthood), I’ve let go of things I didn’t think I would need anymore.

I purge — in the rapid, violent way the word evokes.

Goodbye to the japanime LeSportSac bag I coveted. Sayonara to the collector’s set of Leonardo DiCaprio movies on VHS. Farewell to the Fall-inspired finger paintings done by my son when he was 18 months old.

When we moved to Israel, a country that does not believe in closets, nor basements, my husband and I did a major purge — in the form of a yard sale and of giveaways to friends and neighbors. But there were about a dozen boxes we knew not to bother opening — for they would go into storage until we figured out exactly what this aliyah thing would mean for our family.

Boxes sealed in brown packing tape marked in hastily drawn capital letters:

JEN’S MEMORABILIA

AVI’S OLD PAINTINGS

WEDDING PARAPHENALIA

MIXED TAPES, SCHOOL PAPERS OF JEN’S, DO NOT THROW AWAY!!!!!!

CARDS, PERSONAL

Those boxes landed in Israel on a cargo ship a few weeks ago and eventually — after the usual Israeli-style run-around at customs — arrived in our storage room/bomb shelter last week.

Carefully, carefully I am opening those cardboard boxes.

Because they aren’t just cardboard boxes, you know.

They are Pandora’s. Modern day Pandora’s boxes.

Carefully… because danger lurks in the folded over corners of hoarded memories

just as often as joyful surprise.

Carefully… because yellowed papers inside a stale smelling tupperware container may easily transform into messages in a bottle.

Carefully… because when you save, when you keep, when you store away, you might just get what you wish for one day–

a portal into the past.

a light unto what was once dark.

* * *

Watch this space to see what I discover inside a set of boxes.

Childhood, Dreams, Family, Letting Go, Memory

Meditation on Yard Sales

I have a tendency to hold on.

This tendency is so strong, I’m confident I will end up a haunting ghost in someone’s house when I go.

I hold on to photographs, to letters, to my child’s sketches. I refuse to part with shoes I want to love but can’t because they give me blisters; nor can I say goodbye to the beat up stuffed animal I’ve had since sixth grade.  The t-shirt I received as a party favor at a forgotten friend’s bat mitzvah sits at the bottom of a box  with fifteen others waiting to be turned into a quilt I’ll never make.

I hold tight to first impressions, grudges, undeserved adulation.

And then sometimes, I let go.

No, not just that.

I purge.

I prepare a huge yard sale and lay all my attachments on the grass for everyone to peruse.  Everyone I know and don’t know descends on my beloved belongings.

“Please take them from me!” my eyes say. And they do. For a penny, for a song.

And my load becomes lighter.

If I were to die then and there, I could float up to Heaven like a feather on the wind.

Childhood, Memory, Relationships, Writing

The yellow bowl

I am obsessed with my child’s memory of me

of this moment

of this yellow bowl.

This inaccessible ceramic yellow bowl

perched high upon a dusty refrigerator

will one day be dusty, too —

an image sitting in a drawer waiting to be opened

in my child’s memory.

Inside the yellow bowl are rainbow jelly beans, Polish lollipops

handmade by a retired couple sitting at a railway station.

There are remnants of chocolate wafers, too, and little crystal crumbs from an uneaten

sucking candy.

Pomegranate flavored.

In my child’s memory, this yellow bowl

is the key to happiness

and evidence of goodness

and bad.

It is what determines right and wrong.

It is — and will always be —

a beacon.

“Lost children,

find your way home.

The yellow bowl is calling you back.”

Childhood, Relationships, Writing

He gets like that

One of my dear friends turned 40 today. She was the first of my group of childhood friends to get her driver’s license, the downside of which, I said to her today, is that she also is the first of our group of friends to hit middle age.

Of course, none of that statement is true.

Our friends — the ones who celebrated her 17th birthday years ago — are now scattered around the world, and some are no more our friends than the random stranger from Kenya who friend requested me yesterday on Facebook.

And, what really is “middle age?”

Is it literally the day you turn 40 — is that truly the middle of your life?

I feel as if I passed middle age long ago. Could be that my opinion will change, but I measure time as BC (before children) and WMBBTS (when my boobs began to sag).

So I pretty much hit middle age 10 years ago.

Contemplating my friend’s birthday and hearing a familiar voice in the back of my mind, I searched YouTube for the last scene of one of my favorite childhood movies — Stand By Me.

Somehow — and I am constantly amazed at how prescient I was of the nostalgic longing that accompanies aging — 12-year-old me was certain that grown Gordie’s words in the closing scene of the film were, and would remain, poignantly, heart-breakingly true.

From the film Stand By Me
From the film Stand By Me

It’s Richard Dreyfuss’ voice I heard this morning and whose voice I hear from time to time when I consider the impact my friends from childhood had (and continue to have) on the creation that is grownup me:

“I never had any friends later on like the ones I had when I was twelve…. Jesus does anybody?”

But when I watched the final scene of the film today, what struck me for the very first time is the unspoken, yet classic writer’s epiphany that prompts Gordie to tap out satisfyingly the closing line of his book.

Grown Gordie’s son enters the study to find his father staring at the computer. The kids ask Gordie to hurry up and they roll their eyes when he (for the umpteenth time) tells them “Okay, I’ll be right there” and continues to stare at the computer monitor.

The son turns to his friend and says:

“My dad’s weird. He gets like that when he’s writing.”

Gordie laughs.

I laughed, too, when I watched the scene today. I know well the “like that” of which his son speaks.

I know it as this feeling, this presence that soars into my heart when I finally grasp one of my life’s great truths — like the incomparable experience of knowing someone when you were 12 — and when I am able to transform this truth into words.

And share them.

When I can nod my head along with the cosmic consciousness in understanding.

And know for certain that you, the reader, will understand it too.